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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe’s Pre-NAB Reveal Includes AI-Driven Color

April 4, 2018, 05:18 AM

http://www.studiodaily.com/2018/04/adobe-ai-color-...

On the eve of NAB 2018, Adobe released the latest raft of improvements to its Creative Cloud suite of tools, including new features aimed at helping Premiere Pro editors dial in looks more quickly with its built-in Lumetri color cools. Other new features include welcome tweaks to the Essential Graphics panel that should make it easier […] The post Adobe’s Pre-NAB Reveal Includes AI-Driven Color Matching, Improved Motion Graphics Workflow appeared first on Studio Daily.

Adobe's Reveals AI-Driven Color Matching, Improved

April 4, 2018, 05:16 AM

http://www.studiodaily.com/2018/04/adobe-ai-color-...

On the eve of NAB 2018, Adobe released the latest raft of improvements to its Creative Cloud suite of tools, including new features aimed at helping Premiere Pro editors dial in looks more quickly with its built-in Lumetri color cools. Other new features include welcome tweaks to the Essential Graphics panel that should make it easier for both Premiere Pro editors and After Effects artists to use.

Term of the week: Chroma

April 4, 2018, 05:15 AM

https://www.provideocoalition.com/term-week-chroma...

In the digital age, so much of what we deal with in video is based on legacy baggage from the analog era of the twentieth century. Learn in this week’s animated glossary entry what chroma actually means, where it came from and why it still matters today.

Color plays key role in Ava DuVernay’s A Wrinkle

March 26, 2018, 11:49 AM

http://postperspective.com/color-plays-key-role-av...

Color itself plays a significant role in the fantasy feature A Wrinkle in Time. To help get the look she wanted, director Ava DuVernay chose Mitch Paulson of Hollywood’s Efilm to handle final color grading — the two worked together on the Oscar-nominated film Selma. Continue reading → March 26, 2018 The post Color plays key role in Ava DuVernay’s A Wrinkle in Time appeared first on Randi Altman's postPerspective.

Longtime MPC Colorist Jean-Clément Soret Expands

March 23, 2018, 03:15 AM

http://www.studiodaily.com/2018/03/longtime-mpc-co...

Jean-Clément Soret has been named supervising DI colorist at Technicolor London, adding to his responsibilities as global creative director of color grading at MPC. Soret is perhaps best known for his work in advertising, but his feature-film credits include Steve Jobs, You Were Never Really Here and In the Heart of the Sea. (He may have been the first DI […] The post Longtime MPC Colorist Jean-Clément Soret Expands Role to Technicolor London appeared first on Studio Daily.

Behind the Title: MTI Senior Colorist Trent Johnso

February 20, 2018, 05:50 PM

http://postperspective.com/behind-title-mti-senior...

NAME: Trent Johnson COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? MTI Film works in multiple post production disciplines, including TV and feature post, film restoration and software development. AS A SENIOR COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 20, 2018 The post Behind the Title: MTI Senior Colorist Trent Johnson appeared first on Randi Altman's postPerspective.

How Guillermo del Toro Uses Color to Create New Wo

February 16, 2018, 10:04 AM

https://filmschoolrejects.com/guillermo-del-toro-u...

Last month, Guillermo del Toro won his first Golden Globe for directing, and then he received his first nomination for the equivalent Oscar. His new film, The Shape of Water, also received a Best Picture nomination and is one of the most talked about features heading into next month’s Academy Awards. It is a breakthrough work for del Toro and one of my personal favorites.

Behind the Title: Encore (and Ryan Murphy) Coloris

February 14, 2018, 10:21 AM

http://postperspective.com/behind-title-encore-rya...

NAME: Kevin Kirwan COMPANY: Encore Hollywood CAN YOU DESCRIBE YOUR COMPANY? Encore specializes in television post production. I’ve been at Encore forever — they have nice people and it’s a nice working environment. JOB TITLE: Colorist WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 14, 2018 The post Behind the Title: Encore (and Ryan Murphy) Colorist Kevin Kirwan appeared first on Randi Altman's postPerspective.

Neil Anderson upped to colorist at Lucky Post, tal

February 1, 2018, 07:40 PM

http://postperspective.com/neil-anderson-upped-col...

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading → February 1, 2018 The post Neil Anderson upped to colorist at Lucky Post, talks inspiration appeared first on Randi Altman...

How to Replicate Cast Shadows In DaVinci Resolve

January 25, 2018, 10:29 AM

https://www.premiumbeat.com/blog/digitally-add-sha...

Even the most organized lighting setups can need tweaking in post. Find out how you can add (realistic) shadows to a composition using DaVinci Resolve.

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