It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 4, 2022, 07:31 AM
https://postperspective.com/behind-the-title-lobo-...
Brazilian filmmaker Isabela Littger, a graduate of Ringling College of Art, is an animation and creative director at Lobo, a creative design studio based in São Paulo and New York. She is responsible for creating animated films that successfully encompass clients’ concepts or ideas, then making sure that the concepts remain consistent until the final delivery. Continue reading → March 3, 2022 The post Behind the Title: Lobo Animation Director and CD Isabela Littger appeared first on postPer...
March 4, 2022, 07:31 AM
https://digitalfilms.wordpress.com/2022/03/03/anal...
Divide 24 into 60. Back in the 1970s and as late as the early 80s, film editors working on film ruled the world of high-end regional and national TV commercials. They had the agency connections and, as such, controlled the workflow in post. Most of the top commercials were shot on film, so after the […]
March 4, 2022, 07:30 AM
https://www.redsharknews.com/whos-going-to-make-th...
It's easy to talk glibly about how the metaverse is an interconnected nexus of 3D worlds without asking some pretty fundamental questions. One of these is "who's going to make the metaverse".
March 4, 2022, 07:29 AM
https://beforesandafters.com/2022/03/04/your-one-a...
The special DNEG Deep Dive on Dune, which I hosted live the other day, is now online to rewatch. We chatted for more than an hour and a half about sandscreens, ornithopters, sand worms, sand sims, city building and destruction, shields and invisible effects.
March 3, 2022, 07:54 AM
https://www.premiumbeat.com/blog/most-practical-li...
Here are nine of the best, most affordable microphones for anyone interested in recording high-quality audio for live-streaming.
March 3, 2022, 07:53 AM
https://postperspective.com/yohance-brown-on-color...
By Randi Altman In the summer of 1969, the same summer as Woodstock, a six-day concert series took place in Mount Morris Park in Harlem. The story of this festival has finally been told thanks to the film Summer of Soul, which has been nominated for an Oscar in the Best Documentary Feature category. Continue reading → March 2, 2022 The post Color Grading Questlove’s Oscar-Nominated Summer of Soul appeared first on postPerspective.
March 3, 2022, 07:52 AM
https://www.premiumbeat.com/blog/filming-the-metav...
Let's dive into the Metaverse and learn how in the whole wide virtual world you go about harnessing its potential.
March 3, 2022, 07:52 AM
https://filmschoolrejects.com/tron-costumes-glowin...
Welcome to How’d They Do That? — a monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry explains how they did the glowing costumes in Steven Lisberger’s groundbreaking 1982 sci-fi movie Tron.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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