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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Get Better Results from the DaVinci Resolve Motion

April 23, 2015, 09:45 AM

http://www.premiumbeat.com/blog/get-better-results...

The DaVinci Resolve motion tracker is fast and simple to use. Let’s explore how to get the most out of this already amazing tool.

NAB 2015

April 15, 2015, 06:10 PM

https://www.hurlbutvisuals.com/blog/2015/04/nab-20...

The Hurlbut Visuals team is on the floor at NAB 2015, and we wanted to give you a flavor of some of the exciting new products being introduced out here. We will have more news later in the week! Check out these interviews with Jeff Wood and Greg Staten from HP and Tina Eckman from Blackmagic Design. Keep up with NAB with our live stream here.

Get Vegas Lighting with Color Fixer Pro

April 14, 2015, 06:12 PM

http://tracking.feedpress.it/link/9766/760386

 “Bright light city gonna set my soul, Gonna set my soul on fire” Elvis presley sings as “Viva Las Vegas” plays while we walk around the showroom of the National Association of Broadcasters (NAB) show in Vegas.  Elvis’s words are certainly setting the mood. There’s so much magic in “Viva Las Vegas” and it all comes from the “neon flashin’” Vegas lights. Elvis has it right, lighting is everything, especially in film.

Robbie Carman tells stories with color

April 12, 2015, 09:13 AM

http://www.provideocoalition.com/robbie-carman-tel...

Robbie Carman is passionate about color and the power it brings to storytelling. So much so that he established a boutique company, Amigo Media, to focus solely on color correction. His single-mindedness paid off. Washington, D.C.-based Amigo Media has graded hundreds of hours of television, documentary, feature film and political programming. But people looking to glean ideas and information about color need not trek to Washington D.C. Carman gladly and enthusiastically shares his knowledge...

What’s coming next to SpeedGrade and Creative Cl

April 9, 2015, 05:48 AM

http://blogs.adobe.com/movingcolors/2015/04/08/com...

This year at NAB 2015 we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new mobile Look capture technology, a brand new Color workspace in Adobe Premiere Pro, and Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip. And we haven’t forgotten SpeedGrade: the next release of our professional color grading application includes support for Lumetri Looks created in Premiere Pro...

What’s coming next to SpeedGrade and Creative Cl

April 8, 2015, 04:15 PM

http://blogs.adobe.com/movingcolors/2015/04/08/wha...

This year at NAB 20   we’re taking the wraps off some really exciting new tools and workflows for video pros, including a new Look capture app, a brand new Color workspace in Adobe Premiere Pro, Creative Cloud Library support for Looks, so you can share Looks between Premiere Pro, After Effects, and Premiere Clip, the mobile editing app. And we haven’t forgotten SpeedGrade either: the next release of our professional color grading application includes support for Lumetri Looks created ...

Technicolor Acquires Mikros Image

April 8, 2015, 04:44 AM

http://www.hollywoodreporter.com/behind-screen/tec...

Technicolor is looking to grow its position in the feature animation world with the acquisition of VFX and animation production company Mikros Image. The company has entered into an agreement with Mediacontech, Mikros’ parent company, to acquire Mikros for $14.1 million (€13 million). The deal is expected to close during this quarter.

DaVinci Resolve 11.3 Adds Sony XAVC-Intra Support

April 7, 2015, 03:41 AM

http://www.4kshooters.net/2015/04/07/blackmagic-da...

The latest update includes support for the flagship ARRI Alexa 65 and Panasonic V35 IDT cameras, new ACES 1.0 support, DNxHR MXF and Sony XAVC-Intra encoding

DaVinci Resolve: Working with Memory Colors

March 30, 2015, 09:24 AM

http://www.premiumbeat.com/blog/davinci-resolve-tu...

Humans store memories of specific colors like we remember life events. Learn how rendering "memory colors" accurately can bring your project to life. The post DaVinci Resolve: Working with Memory Colors appeared first on The Beat: A Blog by PremiumBeat.

FotKem colorist Mark Griffith: digital remastering

March 28, 2015, 04:15 AM

http://postperspective.com/fotkem-colorist-mark-gr...

By Randi Altman Who doesn’t love The Sound of Music? Who? Introduce them to me and we’ll talk. Fifty years after it was released in theaters, this classic film about — well, you know what it’s about — was restored by Burbank’s Fotokem, home to one of the last feature film labs in the country. The studio completed the restoration of the 65mm musical through 8K scans from large-format film elements, downsampled to 4K for restoration and digital cinema mastering. For the restorati...

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