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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

LUT Tricks for the Sony FS7/F5/F55

June 15, 2015, 12:39 PM

http://www.provideocoalition.com/tricks-for-sony-f...

Sony’s Cine-EI mode is both a blessing and a curse. Here's how to work to its strengths and around its issues using two free software packages…

Resolve Helps Swordfish Mix the Old with the New i

June 10, 2015, 02:51 PM

http://soundandpicture.com/2015/06/davinci-resolve...

As filmmaking continues to advance, it’s important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on “Crickets Would Sing,” a stop motion animated film based on short stories written by Frances Fabri.

NOTICIA: DaVinci Resolve, presente en muchas de la

May 26, 2015, 04:52 AM

http://www.finalcutpro.es/2015/05/noticia-davinci-...

(Nota de prensa) Blackmagic Design se complace en felicitar my la gran cantidad de largometrajes nominados para la edición 2015 del Festival de Cannes que fueron rodados con cámaras fabricadas por la empresa y finalizados con DaVinci Resolve. Algunas de las películas más esperadas que compiten por la Palma de Oro fueron etalonadas con DaVinci Resolve. [...] La entrada NOTICIA: DaVinci Resolve, presente en muchas de las películas del festival de Cannes aparece primero en finalcutpro.es.

California LUTS, LA Style LUTS, and LUTS for GH4..

May 25, 2015, 04:28 AM

http://cinescopophilia.com/california-luts-la-styl...

Ive always been obsessed grading my looks with a 'Golden Grey', 'Peach' style look….so I thought why not share my styled looks with you.

DaVinci Resolve 12 and NLE Contender?

May 13, 2015, 01:31 PM

http://blog.mediasilo.com/davinci-resolve-12-is-be...

Find out how Davinci Resolve 12 is unifying the post production process and revolutionizing the industry.

REVIEW: iMac 5K con archivos 4K MXF y MOV

May 11, 2015, 04:56 AM

http://www.finalcutpro.es/2015/05/review-imac-5k-c...

El momento de decidir en que equipo invertir siempre es complicado. El iMac Retina 5K es uno de los modelos de Apple que más interés ha causado últimamente entre los que nos dedicamos al mundo de la posproducción. Con una pantalla realmente espectacular, nos queda la duda de saber como se comportará con los diferentes tipos de archivos.

Color Grading Tips and Cinematic Looks in SpeedGra

May 5, 2015, 10:49 AM

http://www.premiumbeat.com/blog/color-grading-tips...

Capture some great cinematic looks in Adobe SpeedGrade with this helpful handful of color grading tips!

Resolve 11 Used on New Terence Malick Feature

May 5, 2015, 10:46 AM

http://blog.planet5d.com/2015/05/blackmagic-davinc...

Love or hate his poetic, philosophical, often anti-dialog, feature films, however the great American movie director Terrence Malick chooses to make them is a great free lesson to all moviemakers in every genre.

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