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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Matt Osborne joins The Mill in LA

August 18, 2017, 05:46 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — The Mill has added Matt Osborne to its team of colorists at their Los Angeles studio. He began his career at The Mill London in 2013, later moving to the US to join the Chicago studio. Osborne has a diverse portfolio of projects to his name, including work for Corona, H&M, Adidas, State Farm, McDonald's and Audi. 

Behind the Title: ArsenalFX colorist Greg Werner

August 10, 2017, 12:29 PM

http://postperspective.com/behind-title-arsenalfx-...

NAME: Greg Werner COMPANY: ArsenalFX Color CAN YOU DESCRIBE YOUR COMPANY? ArsenalFX Color is a high-end post facility focusing on the television industry. Our 9,000-square-foot facility hosts Lustre color, Flame, Smoke (Flame Assist) and Avid conform, Continue reading → August 10, 2017 The post Behind the Title: ArsenalFX colorist Greg Werner appeared first on Randi Altman's postPerspective.

Color Grade Sunset Shots in Premiere and AE

July 26, 2017, 05:18 AM

https://www.rocketstock.com/blog/color-grade-sunse...

The classic sunset shot that closes out the day or the entire narrative of your film is a cinematic staple. Whether you want your characters sitting on the beach, standing on top of a building, or riding off into the sunset, capturing the shot is the first step in the process. Because sunsets are so wildly different from one another, they all need different color grading. Here are a few different ways to color grade your sunset in Premiere Pro and After Effects.

Light Iron Colorist Ian Vertovec on GLOW and Getti

July 25, 2017, 04:35 PM

http://www.studiodaily.com/2017/07/glow-film-look-...

The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating back to the mid-1980s, when a maverick World Wrestling Association promoter moved to Hollywood and established an all-woman organization called Gorgeous Ladies of Wrestling, or GLOW for short. The setting demands a period look and feel — but […] The post Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR appeared first on Studio Daily.

Color Correction Practice Projects Now Available!

July 20, 2017, 05:50 PM

https://editstock.com/blogs/all/color-correction-p...

EditStock Color Pack Professional colorist know how hard it is to find quality practice projects for their craft. In the past colorists would use traditional stock footage, or camera test footage to practice with. But professional color correction is not about "fixing" a single shot. Color correction means creating a consistent, stylistic look and feel that enhances a project's storyline.  It is for this reason that EditStock created the Color Pack. Now you can practice color c...

Behind the Title: Carbon’s head of color grading

June 26, 2017, 12:53 PM

http://postperspective.com/behind-title-carbons-he...

NAME: Maria Carretero COMPANY: Carbon (@carbonvfx) CAN YOU DESCRIBE YOUR COMPANY? Carbon, which has locations in New York, Chicago and LA, is a boutique design and visual effects company that focuses on art, Continue reading → June 26, 2017 The post Behind the Title: Carbon’s head of color grading, Maria Carretero appeared first on Randi Altman's postPerspective.

Quick Tip: Using Label Colors to Manage Premiere P

June 23, 2017, 12:04 PM

https://www.premiumbeat.com/blog/using-clip-colors...

Labeling your clips with colors can streamline your workflow and help you identify metadata at a glance. Learn how to maximize them in this Premiere Pro tutorial.

102 RED IPP2 Grading LUTs - philmColor

June 23, 2017, 06:23 AM

http://theangryvideoguy.com/index.php/2017/06/23/p...

Designed around the new RED IPP2 pipeline, it includes 103 3D LUTs for use in post and in camera (cameras with IPP2 support). You can use these LUTs in REDCINE-X regardless of color science used but they are intended to be applied to footage using the REDWideGamutRGB color and LOG3G10 gamma.

#color grading#red#color correction#luts#ipp2#phil holland
Image Sharpening III - Samurai Sharpen Review

June 21, 2017, 10:21 AM

http://theangryvideoguy.com/index.php/2017/06/21/i...

Samurai Sharpen is an edge aware sharpening software plugin by Digital Anarchy that uses a number of algorithms along with GPU acceleration to provide a flexible way to sharpen video footage...

#post production#articles#samurai sharpen#sharpening#unsharp mask#neat video
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