To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Technicolor-PostWorks' Baselight workflow helps l
April 28, 2015, 12:29 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Technicolor-PostWorks NY has long employed FilmLight’s Baselight for high-performance grading, both for television dramas and documentaries. In recent months, the studio has found that FilmLight’s Baselight Editions for Avid — an integrated plug-in for Media Composer and Symphony — has been able to enhance the grading capabilities within its existing editing software, as well as open up the possibility of a fluid and flexible exchange of grades between editors and colori...
Better Black and White in DaVinci Resolve
April 28, 2015, 09:30 AM
http://www.premiumbeat.com/blog/better-black-and-w...
There's more to monochrome than dragging the saturation down to zero. Learn the nuances of capturing better black and white in DaVinci Resolve.
Qantel's now grading in real-time in 8K
April 24, 2015, 04:46 AM
http://www.redsharknews.com/post/item/2539-qantel-...
Real-time post production in 8K is now a reality. Just. QuantelPabloRioPablo Rio8KQuantel 8K
Filmworkers brings on color vet Craig Leffel
April 22, 2015, 04:13 PM
http://postperspective.com/filmworkers-brings-colo...
Chicago’s Filmworkers is representing veteran colorist Craig Leffel for color grading projects in the Midwest. Leffel will continue to serve as executive producer of Big Spoon Industries, the creative production studio he formed last fall, while handling color correction assignments through Filmworkers. Leffel has been a colorist in Chicago for more than 20 years. He has worked with all of the city’s top agencies for accounts including Coors Lite, American Family Insurance, Kraft, Coke,...
Project Candy on the Horizon for Color Workflows
April 22, 2015, 09:34 AM
http://www.premiumbeat.com/blog/project-candy-on-t...
Adobe's sweet new Project Candy app could change the way colorists work. Here's the scoop!
Using a FlexiFill ChromaKey Backdrop
April 22, 2015, 05:19 AM
http://feedproxy.google.com/~r/richardharringtonbl...
Want to do chromakey shooting? A FlexiFill backdrop is very useful for quick chromakey jobs. This spring loaded type backdrop offers both a blue and green surface for shooting and is virtually wrinkle-free. This specific tutorial is from the Video Gear Weekly series presented by lynda.com authors Rich Harrington and Robbie Carman. The complete course is presented as a weekly lynda.com series and offers reviews and tips on the latest video gear, from cameras like the Blackmagic 4K and G...
PVC at NAB 2015 - Several Audio Highlights
April 22, 2015, 05:17 AM
http://provideocoalition.com/pvc-at-nab-2015-sever...
Anyone who’s spent time in Las Vegas at the annual NAB convention knows how daunting it can be. Since the pace counters are ubiquitous on our smart phones nowadays, we can easily keep track. My own counter registered over a whopping 12 miles of personal walking over the two days that I attended. Comparing notes with other attendees however I find I’m on the low side. NAB is spread out over several very large halls and per the momentum in technology this year there were many 4K televisio...
PVC at NAB 2015 - Interview with Robbie Carman
April 22, 2015, 05:17 AM
http://www.provideocoalition.com/pvc-at-nab-2015-i...
Did Color Get Demoted in FCP X Update 10.2
April 22, 2015, 05:14 AM
http://www.taoofcolor.com/2386/fcp-x-update-10-2-c...
Most families tend to trend similar in their political orientation but you always have an outlier sibling, cousin or uncle. There’s always someone at the table ready to get offended even when you don’t think they should be.
PVC at NAB 2015: Talking monitors with EIZO and Fl
April 20, 2015, 05:05 AM
http://www.provideocoalition.com/pvc-at-nab-2015-t...
On the last day of NAB 2015 I grabbed a cameraman and wandered around the south hall and grabbed a few interviews in the booths of some products and services I found interesting. Monitors were one category I wanted to check out so I made a stop at both EIZO and Flanders Scientific. Pardon the shaky cam as I think we got some good info.
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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