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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Light Illusion Adds ‘Correct’ Camera LUTs to L

June 15, 2017, 04:23 AM

http://www.studiodaily.com/2017/06/light-illusion-...

Light Illusion said its LightSpace Color Management System (CMS) now includes an option that generates LUTs based on color and gamma data for different camera models as provided by the vendors. These new LUTs are “technically correct,” Light Illusion said, meaning they may yield a look that’s different from LUTs provided by the camera makers, […] The post Light Illusion Adds ‘Correct’ Camera LUTs to LightSpace CMS appeared first on Studio Daily.

Guardians of the Galaxy Vol. 2 ACES Workflow

June 6, 2017, 12:31 PM

http://www.studiodaily.com/2017/06/guardians-galax...

How did Marvel Studios ensure that the amazing, eye-popping visuals created by Guardians of the Galaxy Vol. 2 director James Gunn, cinematographer Henry Braham, and VFX supervisor Christopher Townsend all ended up on screen as the filmmakers intended? Marvel Studios used ACES to manage the film’s color pipeline from dailies through to VFX, DI and […] The post Guardians of the Galaxy Vol. 2 ACES Workflow appeared first on Studio Daily.

Color Grading Footage in After Effects with Lumetr

June 2, 2017, 07:26 AM

https://www.premiumbeat.com/blog/color-correcting-...

Learn how to color correct your video with the new Lumetri Scopes in After Effects.

Understanding Color Rendering Index with LEDs

May 23, 2017, 02:35 PM

https://www.premiumbeat.com/blog/color-rendering-i...

The Color Rendering Index can help you get the best LED color reproductions.

NAB 2017: SGO's Miguel Doncel

May 22, 2017, 02:30 PM

https://www.youtube.com/watch?v=oJPuYcyLHCM

SGO's Mistika is now making portions of its Mistika as individual products, including Mistika VR, Mistika Ultima and Mistika Insight.

SGO launches Mistika Co-Pilot – a real time assi

May 15, 2017, 05:24 AM

https://www.sgo.es/sgo-launches-mistika-co-pilot-a...

New additional seat allows for two artists to work simultaneously speeding up workflows. On the back of NAB 2017, we

Sharpening Plugins for Video- Part II

May 11, 2017, 07:53 AM

http://theangryvideoguy.com/index.php/2017/05/11/i...

This is a continuation of a multi part series on image sharpening plugins for video, in which the basics were covered in Part I. For these images I used no noise reduction and only the sharpening features as to not skew the images. With almost all disciplines in the creative, a lot of it is subjective.

#post production#articles#samurai sharpen#sharpening#unsharp mask#neat video
Change the Seasons in Your Video with This Techniq

May 3, 2017, 04:54 AM

https://www.premiumbeat.com/blog/technique-to-chan...

Nature doesn't always cooperate with production schedules. Shift the time of year in your video with this technique.

NAB 2017: Technicolor Postworks' Joe Bierne

May 3, 2017, 04:53 AM

https://www.youtube.com/watch?v=XH5pDfMf_eY

Technicolor Postworks' CTO, Joe Bierne, discusses how 4K and HDR are a big part of their scripted and cinema workflows.

NAB 2017: DaVinci Resolve 14 incorporates Fairligh

April 27, 2017, 07:15 AM

http://www.audiomediainternational.com/show-news/n...

Blackmagic Design has announced the biggest release of DaVinci Resolve 14 at this year’s NAB Show, which wraps up proceedings today in Las Vegas, Nevada.

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