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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Davinci Resolve: Roundtripping with Final Cut Pro

February 16, 2015, 10:44 AM

http://provideocoalition.com/mspencer/story/davinc...

In this Under 5 episode, Alexis Van Hurkman from Ripple Training shows you how to export a project out of Final Cut Pro X as an XML, import it into DaVinci Resolve while maintaining the effects and assets of the Final Cut Project, and then send the final result back to Final Cut Pro...

Technicolor Celebrates 100 Years

February 16, 2015, 06:20 AM

http://www.borisfx.com/blog/2015/02/16/technicolor...

Where would we be without Technicolor? The brand is synonymous with Hollywood and the film industry is forever beholden to it. Its fantastical, eye-popping color technology gained prominence as the earliest color process and ushered in the golden age of … Continue reading →

Behind the Title: Cinetic colorist/editor Jason Bo

February 13, 2015, 07:51 PM

http://postperspective.com/behind-title-cinetic-co...

NAME: Jason Bowdach COMPANY: Cinetic Studios (@CineticStudios) CAN YOU DESCRIBE YOUR COMPANY? Cinetic Studios is a boutique-style color and finishing studio that was created to provide easier access to high-end color grading and finishing services that most assume are out of their reach. Our slogan, “We tell stories with color,” represents our belief that color is a very powerful narrative tool that shouldn’t be overlooked. On the technical side, we take a bleeding-edge approach, a...

FCP X: Color Correction Basics - Final Cut

February 12, 2015, 05:43 AM

http://www.macprovideo.com/hub/final-cut/fcp-x-col...

While it’s not the same as FCP 7, Final Cut Pro X’s color correction tools have a great deal of flexibility. There’s a lot going on, and many ways to work, but here we’ll discuss how the built-in tools work and a good way to use them. We’ll leave third-party and homemade custom plug-ins for another time.

How Color Correction Transforms a Film

February 6, 2015, 10:39 AM

http://www.indiewire.com/article/watch-how-color-c...

When a crew wraps on the shooting of a film, a cinematographer's work is still far from finished -- he has to color correct the whole thing.

DaVinci Resolve Update

February 4, 2015, 09:11 PM

http://www.videomaker.com/videonews/2015/02/blackm...

Blackmagic Design today released DaVinci Resolve 11.2 software update, which vastly improves CinemaDNG RAW image processing, round trip workflows with Avid Media Composer 8.3, and support for DNxHR formats.

Sunkissed and Sepia Looks in DaVinci Resolve

February 2, 2015, 01:22 PM

http://www.premiumbeat.com/blog/sunkissed-sepia-lo...

A golden, sunkissed look is something all colorists should have in their toolbox. In this post we explore a range of grading options to get this effect. The post Sunkissed and Sepia Looks in DaVinci Resolve appeared first on The Beat: A Blog by PremiumBeat.

4K Studios Uses Blackmagic UHD to deliver old Kung

January 26, 2015, 05:51 AM

http://provideocoalition.com/bhallett/story/4k-stu...

San Francisco based 4K Studios are using Blackmagic Design gear to scan old 35mm Film prints to bring old Kung-Fu movies to the world's first all 4K Ultra HD streaming network. Roundhouse kicks, mis-matched dialogue dubs, and Kung-Fu style snap zooms straight out of the 70s never looked so good.

AJA and Blackmagic Design update their video drive

January 23, 2015, 05:19 AM

http://www.fcp.co/hardware-and-software/pro/1590-a...

On the same day both AJA and Blackmagic Design published new drivers for their video I/O devices. Just a tweak for BMD, but a new unified driver across products for AJA.

Colorization and The Fate of Public Domain

January 22, 2015, 06:06 AM

http://bsandrew.blogspot.ca/2015/01/how-colorizati...

A perspective few understood regarding the colorization of black and white classic feature films. The critics of colorization never realized they were contributing to the deterioration and inevitable loss of much of our black and white American film heritage. Barry Sandrew, Ph.D.

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