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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Budget LUT cinema style colour correction from Roc

January 21, 2015, 10:41 AM

http://www.fcp.co/final-cut-pro/news/1585-budget-l...

Rocket Rooster has released two budget packs of LUTs or 'Look Up Tables' that when applied to footage produce cinema style colour grades. Both are under $15.

Grading with Resolve in 2D & 3D on Exodus: Gods an

January 20, 2015, 06:01 AM

http://www.redsharknews.com/post/item/2307-grading...

The colour grading process on the Ridley Scott's epic Exodus: Gods and Kings may be instructive for those looking to tackle a project that will be exhibited in 2D and stereoscopic 3D. Colour Gradingstereoscopic3DExodus: Gods and KingsDa Vinci ResolveResolveStephen NakamuraRidley ScottDariusz WolskiBlackmagic Design

Color Grading - Exodus: Gods and Kings

January 19, 2015, 06:00 AM

https://library.creativecow.net/wall_kylee/Color-G...

The transition to digital wasn't difficult for Nakamura. "I had been color correcting film to video in telecine, which is a film to video transfer, for over a decade. And then I'm doing a digital intermediate, which is color correcting scanned film. Even in the rudimentary days of the digital video revolution, we still made the images look filmic. It's much easier today, but even back then, we would create our own look-up tables and color correct it so it looks like a log-ish image."

What's Teal, Orange, Purple and Pink, and has jus

January 13, 2015, 06:10 AM

http://www.redsharknews.com/production/item/2292-w...

A major part of this film's success is surely its glorious use of colour Grand Budapest HotelWes AndersonGradingColourLookCelluloid

Great Use of ImpulZ LUTs

January 1, 2015, 06:35 PM

http://cinescopophilia.com/great-use-of-impulz-lut...

Also the Movi brushless gimbal and a RED EPIC camera helped of course…

Easy S-LOG Color Grading Workflow With Sony A7S

December 27, 2014, 07:37 AM

http://cinescopophilia.com/easy-s-log-color-gradin...

S-LOG colour grading workflow technique with Sony A7S and FS7 cameras.

Colorization Revisited

December 23, 2014, 06:41 AM

http://bsandrew.blogspot.ca/2014/12/colorization-r...

Even though Color Television was a staple of the American diet from 1958, the UK had to wait until John Newcombe won the Men’s singles at Wimbledon nearly a decade later, before the first color images were projected onto European TV screens.

This website tells the time using hex colours

December 23, 2014, 06:39 AM

http://www.creativebloq.com/creativity/website-tel...

What Colour Is It? is a fun website that corresponds the numbers of the time with hex colours.

A CMYK Color Puzzle for Your Colorist

December 22, 2014, 02:31 PM

http://www.fubiz.net/2014/12/21/cmyk-color-puzzle/

Un puzzle composé de 1000 pièces, cela paraît déjà compliqué. Que diriez-vous alors d’un puzzle composé de 1000 pièces de 1000 couleurs différent

The truth about colour. This is stuff every film-m

December 12, 2014, 05:46 AM

http://www.redsharknews.com/distribution/item/2229...

Guest author John Clark of Berlin Picture Company explores why there's so little consistency of colour across broadcast platforms and what the industry may need to remedy the problem. artisan colourcolour perceptionColour Mixingcolour theoryJohn ClarkBerlin Picture Company

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