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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

All you need to know about anamorphic compression ratios

November 10, 2021, 09:12 AM

https://www.redsharknews.com/all-you-need-to-know-...

Anamorphic lenses are very popular right now, so here's a guide to what all those compression ratios mean!

The Flashback Sequence Effects Tool Kit

November 10, 2021, 09:11 AM

https://www.premiumbeat.com/blog/how-to-edit-flash...

This guide breaks down everything you need to know about producing and editing effective flashback sequences

Fix Out-of-Focus Footage With This Simple Tip

November 10, 2021, 09:09 AM

https://www.premiumbeat.com/blog/how-to-fix-out-of...

Work around slightly out-of-focus footage with this DaVinci Resolve quick tip.

Anatomy of a Main Title: Diego Coutinho on Agents of Chaos Doc

November 9, 2021, 08:34 AM

https://postperspective.com/anatomy-of-a-main-titl...

Agents of Chaos, a two-part documentary from director Alex Gibney (HBO’s The Inventor: Out for Blood in Silicon Valley and Going Clear: Scientology and the Prison of Belief), examines Russia’s interference in the 2016 US presidential election between Hillary Clinton and Donald Trump. Continue reading → November 8, 2021 The post Anatomy of a Main Title: Diego Coutinho on Agents of Chaos Doc appeared first on postPerspective.

Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 2 vs iMac Pro

November 9, 2021, 08:32 AM

https://www.provideocoalition.com/review-16-inch-a...

When reviewing the new 16-inch MacBook Pro M1 Max the closest competitor as far as form factor goes was obviously the previous generation Intel i9 MacBook Pro. That is what I based part one of my 16-inch MacBook Pro M1 Max review on. But what I was most curious about was how it would stand [...]Read More...

Creating the Title Sequence for No Time to Die

November 8, 2021, 08:40 AM

https://postperspective.com/creating-the-title-seq...

No Time To Die marks the seventh title sequence Framestore has created for a James Bond movie, continuing a 25-year tradition for the creative studio. But this time was a little different – the title sequence for No Time To Die required a decidedly different approach for Framestore, whose relationship with EON Productions and the James Bond franchise dates back to 1995’s GoldenEye. Continue reading → November 3, 2021 The post Creating the Title Sequence for No Time to Die appear...

Hedge's Postlab enables remote Avid workflows

November 8, 2021, 08:39 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

THE NETHERLANDS — Hedge (https://hedge.video/hedge) has announced Postlab for Media Composer, a cloud-native solution to enable collaborative remote editing workflows for Avid editors. Postlab serves as an extension to an on-premise NEXIS or other Avid-compatible NAS/SAN storage. Eliminating cumbersome access gateways and high latency associated with cloud-media workflows, Postlab for Media Composer provides a positive user experience, regardless of available bandwidth. A flexible pricing mode...

AE 2022: Multi-Frame Rendering has arrived!

November 8, 2021, 08:38 AM

https://www.provideocoalition.com/ae-2022-multi-fr...

Last week Adobe released After Effects 2022, which includes a number of new features that massively improve performance.  I’m not sure how to gauge the attention this new release has received so far.  On one hand, the launch of AE 2022 coincided with the Adobe MAX online conference, which was full of interviews, update information [...]Read More...

Postlab for Media Composer Extends Avid Editing to Cloud

November 8, 2021, 08:38 AM

https://postperspective.com/postlab-for-media-comp...

Hedge, a creator software for video pros, has added full support for Media Composer to its Postlab app, extending Avid editing workflows into the cloud. Postlab serves as an extension to an on-premises Nexis or other Avid-compatible NAS/SAN storage. That company says the tool helps to eliminate cumbersome access gateways and high latency associated with cloud-media workflows, Continue reading → November 4, 2021 The post Postlab for Media Composer Extends Avid Editing to Cloud appeared first on...

Media Composer gains full support from Postlab's cloud workflow

November 8, 2021, 08:38 AM

https://www.redsharknews.com/media-composer-gains-...

Hedge has announced that Postlab now fully supports Avid's Media Composer for remote editing workflows.

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