It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 13, 2017, 04:21 PM
http://postperspective.com/ed-koenig-returns-mpc-h...
Ed Koenig has rejoined visual effects and post production studio MPC as an executive producer. Formerly EP of color at MPC’s Los Angeles office, he was one of the first hires the company made when it opened there in 2008. Koenig brings a broad range of post experience to his new post, Continue reading → April 13, 2017 The post Ed Koenig returns to MPC to help lead remote color, VFX services appeared first on Randi Altman's postPerspective.
April 12, 2017, 09:21 AM
http://theangryvideoguy.com/index.php/2017/04/12/a...
The sensor itself is a CMOSIS CMV12000 with a resolution of 4096×3072, a color depth of 12-bit, and 300FPS capture (if in 10-bit). apertus° recently released a collection of clips shot over an 18 month testing period on a variety of lenses including Nikon primes, Contax, M42, Canon and other Nikon lenses.
#color grading#beta#cameras#apertus#axiomApril 11, 2017, 05:10 AM
http://www.redsharknews.com/post/item/4496-davinci...
RedShark Review: Brett Danton tried out the new Blackmagic Davinci Resolve grading panels and, within five minutes, was wondering how he had ever lived without them. This does for Resolve what the Wacom tablet did for Photoshop. BlackmagicBlackmagic MiniControl SurfaceDavinci ResolveResolveColour Grading
April 10, 2017, 07:29 AM
http://theangryvideoguy.com/index.php/2017/04/10/b...
BenQ began shipping their new 100% sRGB and Rec. 709 27 inch monitor. With an IPS LED display with wide viewing angles and a max resolution of 2560×1440, it may be a nice budget option for freelance video pros.
#monitors#benq#rec. 709#srgbApril 10, 2017, 04:26 AM
https://www.rocketstock.com/blog/3-easy-ways-to-se...
Sure, your DSLR may have an “auto-white balance” setting, but to work with the most accurate information, knowing how to find and set accurate color temperature is a necessary skill in professional film and video production.
April 6, 2017, 05:06 AM
https://www.premiumbeat.com/blog/speed-change-tech...
Learn how to change the speed of your video projects in DaVinci Resolve 12.5 — and more.
April 4, 2017, 12:24 PM
http://www.postmagazine.com/Press-Center/Daily-New...
MADRID, SPAIN — SGO (www.sgo.es) is drawing from its established Mistika technology to introduce new pipeline tools that will be more accessible to the post community as a whole. The company’s Mistika system, which began development back in 1996 and first appeared as a product in 2001, is an all-in-one, Linux-based post production solution capable of performing editing, compositing, color grading, 3D, VR and finishing. At NAB, SGO is “slicing” the system into tools that address diffe...
April 4, 2017, 05:31 AM
http://www.creativebloq.com/news/capture-any-colou...
Keep a world of colour right at your fingertips with this powerful tool.
April 3, 2017, 09:25 AM
http://theangryvideoguy.com/index.php/2017/04/03/n...
Following up my IPP2 Writeup , RED has released Build 6.4.17 for DSMC2 Cameras along with an updated Redcine-X. IPP2 promises better management of challenging colors, an improved demosaicing algorithm to achieve higher detail at the same pixel resolution. See the before/afters when demosiaced with the new RedcineX
#color grading#color correction#camera#red digital cinema#digital cinema#camera tech#ipp2March 27, 2017, 12:40 PM
http://theangryvideoguy.com/index.php/2017/03/27/s...
The Sony FS5 and PXW-Z150 will receive a firmware upgrade this summer adding HDR support to the cameras. Following BT.2020 & BT.2100 specifications, it adds support for Hybrid Log Gamma (HLG) and Rec. 2020 color space. Let’s delve into what that means.
#sony#firmware#bt.2020#bt.2100#hlg#hybrid log gamma#rec.2020#sony fs5Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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