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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VariCam: Exquisitely sensitive and colourful [spon

March 27, 2017, 09:19 AM

http://www.redsharknews.com/production/item/4465-v...

With a dual native ISO, 14+ stops of dynamic range and enhanced colour rendition, the new generation of Varicams have remarkable and unique talents. panasonicvaricamPlanet EarthVariCam 35Varicam LTDual native ISO

Creating the color of Hacksaw Ridge

March 22, 2017, 12:37 PM

http://postperspective.com/creating-color-hacksaw-...

Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when when she was approached by cinematographer Simon Duggan about her interest in the project and her availability. See didn’t have to consider the idea long before saying yes. Hacksaw Ridge, Continue reading → March 22, 2017 The post Creating the color of Hacksaw Ridge appeared first on Randi Altman's postPerspective.

Greyscalegorilla releases Gorilla Grade LUTs

March 20, 2017, 07:22 AM

http://www.cgchannel.com/2017/03/greyscalegorilla-...

Leading Cinema 4D tools and training provider Greyscalegorilla has just branched out into products for other apps with Gorilla Grade LUTs: a new set of 100 cinematic colour grades for compositing packages.

How to Add LUTs in Premiere Pro (And 35 Free LUTs)

March 6, 2017, 06:16 AM

https://www.premiumbeat.com/blog/adding-luts-in-pr...

Learn how to add LUTs to the Premiere Pro dropdown menu — with 35 Free LUTs.

Managing Westworld with a state of the art LUT wor

March 4, 2017, 08:07 AM

http://www.redsharknews.com/post/item/4395-managin...

Creatives working on Westworld had an elegant solution for co-ordinating looks between the set and post production. WestworldTeradekGradingDailies

New Blackmagic Design Announcements from Event

March 2, 2017, 02:14 PM

http://theangryvideoguy.com/index.php/2017/03/02/b...

Recap: Blackmagic Design announces new products including 2 New DaVinci Control Panels, A New URSA Cinema/Broadcast camera - the URSA Mini Pro, along with an upgrade option for URSA camera owners.

#blackmagic design#blackmagic#post production
Irwin Young: Film Processing History & Color Blind

March 2, 2017, 01:50 PM

http://categoryfivestudios.com/irwin-young-film-pr...

By: Mitch Jacobson, Category Five Studios | NYC The geek in me feels like a groupie today except I’m not backstage at a rock concert.  I’m at the historic DuArt Film Lab Building in New York City and the “rockstar” I’m here to meet is […]

Color Grading for a Cinematic Film Look in Adobe P

February 28, 2017, 08:00 PM

http://www.studiodaily.com/2017/02/color-grading-f...

Cinecom.net presents a 20-minute crash course in the Lumetri color-panel tools in Adobe Premiere Pro, which have largely replaced the need to round-trip footage through Adobe Speedgrade for many projects edited in Premiere. The post Color Grading for a Cinematic Film Look in Adobe Premiere Pro [Tutorial] appeared first on Studio Daily.

GH5 v. GH4 Footage - Post Noise Reduction

February 28, 2017, 06:05 AM

http://theangryvideoguy.com/index.php/2017/02/28/p...

The GH5 has a much cleaner final image without the blocky color noise you’ll see in the GH4. Instead of comparing just the camera output I wanted to compare what it looks like after basic processing.

#cameras#panasonic#gh5#pixelpeeping
SGO to reveal Mistika 8.7 capabilities at InterBEE

February 27, 2017, 07:13 AM

http://www.sgo.es/sgo-to-reveal-mistika-8-7-capabi...

SGO will be showcasing Mistika version 8.7 with exclusive demonstrations on VR, HDR, Colour grading, 4K and 8K capabilities at

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