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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The color of Terrence Malick’s ‘Knight of Cups

February 26, 2015, 10:24 AM

http://postperspective.com/color-terrence-malicks-...

Modern VideoFilm’s Bryan McMahan on grading the dailies and final film By Randi Altman Terrence Malick’s Knight of Cups, which premiered at the Berlin Film Festival in early February, has literally been years in the making. Shot in 2012, on 35mm, 65mm and a variety of digital formats, Knight of Cups has had a two-year post-production cycle. For the film, which stars Christian Bale as a Hollywood screenwriter having a sort of crisis of conscious, the director called on frequent collab...

3 Free Low Contrast FCPX Color Board Presets

February 20, 2015, 10:30 AM

http://noamkroll.com/download-3-free-low-contrast-...

Even before I started working as a professional colorist, I had always loved to toy around with color settings within my editing software to enhance the look of

Color Grading: Bleach Bypass Looks in DaVinci Reso

February 17, 2015, 03:52 PM

http://www.premiumbeat.com/blog/color-grading-blea...

Create extreme color looks in DaVinci Resolve. In this post we share a technique for achieiving the stylized bleach bypass look, reminsent of films like 300 and Sin City. The post Color Grading: Bleach Bypass Looks in DaVinci Resolve appeared first on The Beat: A Blog by PremiumBeat.

Grading a tv series with Mistika

February 12, 2015, 10:24 AM

http://ilovehue.net/?p=757

I got a call from Slik, a Montreal-based post house, when they got their Mistika workstation. After a little training and a couple of friendly gigs we got our first real grading job on a tv series.

New DaVinci Resolve 11.2 offers improved CinemaDNG

February 4, 2015, 10:13 AM

http://postperspective.com/new-davinci-resolve-11-...

Blackmagic has made available DaVinci Resolve 11.2, which adds improved CinemaDNG RAW image processing with new soft clipping features, improved round trip workflows with Avid Media Composer 8.3, DNxHR support and more. DaVinci Resolve 11.2 is available for download now free of charge for all existing DaVinci Resolve customers. In addition to the CinemaDNG RAW image processing improvements that make working with files shot on Blackmagic digital film cameras look even better than before, cus...

Resolve 11.2 - a significant upgrade for Blackmagi

February 4, 2015, 10:13 AM

http://www.redsharknews.com/post/item/2350-resolve...

Resolve 11.2, announced today, has some useful upgrades, including one that will make it easier to move between raw files and more "conventional" colour spaces ResolveBlackmagic ResolveBlackmagic DaVinciBlackmagic Davinci ResolveDavinci ResolveResolve 11Resolve 112DNxHR

DaVinci Resolve performance improvement in 3 steps

January 19, 2015, 05:30 PM

http://nonlinearpost.com/davinci-resolve-performan...

DaVinci Resolve performance improvement in 3 steps As a TV and film editor, I knew I hadn’t truly lived until I discovered the creative benefits of color grading. Not everyone who chooses to become an editor dares to dive into this aspect of editing. However, with all the expensive hardware and software available to do this task, the easiest one to get started with today is DaVinci Resolve. But DaVinci Resolve performance can suffer once this free (lite version) software is […] The pos...

The Isolated Color Look in DaVinci Resolve

January 13, 2015, 01:35 PM

http://www.premiumbeat.com/blog/isolated-color-loo...

The isolated color look is a unique color grading look used to great effect in movies like Pleasantville and Sin City. It involves keeping one or several colors intact while completely or partially desaturating the rest of the image. Let's jump into a one-color color in DaVinci Resolve. The post The Isolated Color Look in DaVinci Resolve appeared first on The Beat: A Blog by PremiumBeat.

SpeedLooks 4 Studio Log LUT Set, A Closer Look

January 12, 2015, 10:21 AM

http://blog.planet5d.com/2015/01/speedlooks-4-stud...

The frame grabs illustrating this article are my first round of tests so that my client and I can start narrowing down the looks we want. We will be shooting with just the one camera, my Panasonic GH4, but it will be under a variety of natural and enhanced lighting conditions indoors and outdoors. Once we have chosen a subset of looks from these examples, I will shoot more footage under that range of lighting for further refinements in my approach.

Color LUTs for the Film Aesthetic

January 10, 2015, 09:07 AM

https://digitalfilms.wordpress.com/2015/01/10/colo...

Newer cameras offer the ability to record in log gamma profiles. Those manufactured by Sony, ARRI and Canon have become popular, and with them, so have a new class of color correction filters used by editors. Color look-up tables, known as LUTs, have long been used to convert one color space to another, but now […]

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