It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 27, 2017, 07:12 AM
http://designingsound.org/2017/02/sunday-sound-tho...
Through an article on one of y my favorite blogs, I recently learned about a rare neurological crossing of senses which is called Synesthesia. In one particular manifestation of the phenomena called Chromesthesia, individuals associate sounds with colors & even shapes. Not in a metaphorical sense, like we’re used to for describing sounds, but as […]
February 27, 2017, 07:12 AM
http://www.redsharknews.com/post/item/4383-fire-at...
Colourist Andrea Orsini reveals the ways in which DI can craft nonfiction through his work on Oscar-nominated Fire at Sea. GradingDocumentariesfire at seadocumentary film
February 24, 2017, 08:08 AM
http://theangryvideoguy.com/index.php/2017/02/24/p...
The VariCam Pure is a collaboration project between Panasonic and Codex. I hoped to see how much info is in the h.264 by lifting the image somewhat. The 5000ASA shots look good when you remember its…. 5000ASA.
#color grading#4k#panasonic#varicamFebruary 23, 2017, 03:08 PM
http://cinescopophilia.com/livegrade-pro-lut-trans...
Flanders Scientific show you how to save looks created in Pomfort’s LiveGrade Pro to an FSI monitor’s DIT LUT memory.
February 16, 2017, 01:16 PM
http://postperspective.com/behind-title-mti-colori...
NAME: Steve Porter COMPANY: MTI Film CAN YOU DESCRIBE YOUR COMPANY? We are a Hollywood-based post facility that specializes in TV finishing, film restoration and software development. AS A COLORIST, WHAT WOULD SURPRISE PEOPLE ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → February 16, 2017 The post Behind the Title: MTI colorist Steve Porter appeared first on Randi Altman's postPerspective.
February 10, 2017, 07:20 AM
http://www.cgmeetup.net/home/color-and-texture-cus...
Now you can edit the VRscans materials in a way to change the material color or place a custom texture.
February 9, 2017, 02:30 PM
http://www.premierebro.com/blog/tangent-ripple-rev...
GET A CLOSE LOOK AT THE TANGENT RIPPLE IN THIS PREMIERE PRODUCT REVIEW, AND SEE WHAT MAKES IT ONE OF THE MOST PORTABLE AND AFFORDABLE COLOR GRADING PANELS ON THE MARKET, ESPECIALLY FOR THE PREMIERE PRO LUMETRI COLOR PANEL.
#adobe#premiere pro#ripple#lumetri#tangentFebruary 7, 2017, 01:15 PM
https://www.rocketstock.com/blog/4-essential-after...
Expert-level color grading skills are not something a video editor acquires overnight. It takes time and work to learn the detailed nuances and workflow tips and tricks to color grade at a professional level.
February 6, 2017, 05:31 PM
http://www.creativeplanetnetwork.com/news/post/hdr...
Danny Boyle returns to the dark comedy that put him on the map with T2 Trainspotting, the sequel that reunites him with his breakout cast including Ewan McGregor, Jonny Lee Miller and Kelly Macdonald along with cinematographer Anthony Dod Mantle.
February 2, 2017, 06:59 AM
http://theangryvideoguy.com/index.php/2017/01/21/a...
Taking a look at what ACES means for post by taking a high level view of the overall concept. As it trickles down from big budget to mid size studios it's never too early to start.
#workflows#aces workflow#aces#aces color space#aces for beginners#color spaceDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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