It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 30, 2014, 09:48 AM
http://www.hollywoodreporter.com/behind-screen/asc...
The American Society of Cinematographers Color Decision List (ASC CDL)—developed by the ASC Technology Committee with contributions from a broad group of industry participants—will receive the Hollywood Post Alliance Judges Award for Creativity and Innovation in Postproduction.
September 28, 2014, 07:49 AM
http://finalcutargentina.blogspot.com/2014/06/luts...
Una situación recurrente editando proyectos con el Final Cut Pro 7 era –y para aquellos que aún lo utilizan sigue siendo– tener que lidiar con archivos provenientes de Arri Alexa y su Log C, que provee un mayor rango dinámico para la corrección de color pero como contraparte, la imagen se ve muy chata si no se la interpreta adecuadamente y para ello necesitamos un plugin que requiere un proceso muy intensivo y por lo tanto, largos tiempos de render.Final Cut Pro X tiene desde hace va...
September 26, 2014, 11:30 AM
http://bosfcpug.org/new-high-end-color-correction-...
Blackmagic Design has announced that new Los Angeles based color correction house Apache Digital has built its two new color correction suites around DaVinci Resolve.
September 25, 2014, 07:17 PM
http://icolorist.com/what-i-saw-at-ibc-2014/
to Luke Skywalker in1977 now exists in our own galaxy and can project holographic images right in front of you. I would say 3-D images but that term has been so badly abused and confused with stereoscopic that it seems unfair to use it for an image that you can you walk around. The screen was only the size of a dinner plate but I really could walk behind a projected object and see the back of it. It already has medical and industrial interest and I am told that there is technically no reason why...
September 24, 2014, 09:15 AM
http://www.creativebloq.com/infographic/top-colour...
We're all creative people, and no one likes to follow trends. At the same time, though, it's good to know what they are. But how do you decidewhether something is a trend or not?
September 18, 2014, 12:32 PM
http://postperspective.com/ibc-blog-color-grading/...
By Chris Ryan We had three meetings today: Filmlight, SGO and Rohde & Schwarz. Here’s the rundown… FilmLight Nice Shoes currently uses FilmLight’s Baselight system for color grading, so we went to their booth first to touch base on new products and to get a feel for where they’re heading in the future. Their big product […]The post IBC Blog: color grading, end to end post, more appeared first on postPerspective - Randi Altman's postPerspective.
September 18, 2014, 09:36 AM
http://www.creativebloq.com/creativity/quiz-what-p...
We know, deep down, you'd really like to know your perfect shade of red, purple, or blue, perhaps? Here's your chance to find out...
September 17, 2014, 05:06 PM
http://library.creativecow.net/owens_joseph/DaVinc...
Colorist Joseph Owens has been in the heart of postproduction for over 30 years, and has used one form or another of DaVinci Resolve for a large part of that. In his look at the latest release of what he calls the gold standard for color correction, he both covers new features, and considers the possibilities that those features offer.
September 17, 2014, 11:29 AM
http://www.fastcocreate.com/3035877/see-how-colorf...
Years ago, artist and photographer Angelica Dass began a project of cataloging every variant of human skin tone with a corresponding Pantone color. This chromatic inventory served as both a comment on diversity and a celebration of color. In a less lofty, but certainly more drunkifying examination, a designer has matched the labels of beer cans with the color of the brew within.
September 17, 2014, 04:22 AM
http://www.fubiz.net/2014/09/17/death-valley-color...
Le photographe américain Jordan Sullivan a pensé le désert et son ciel comme un pantone dans la série « Death Valley ». On y voit des sommets de montagnes qui forment leurs lignes d’horizon sur des fonds violets, roses, jaunes et bleus. Une série qui fait penser à celle de L’Atelier Cordulia.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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