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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Why Do We Need Color Correction?

January 9, 2015, 12:27 PM

http://www.studiodaily.com/2015/01/need-color-corr...

Ever have trouble getting a client to understand the need for color-correction on even the simplest footage? AlphaDogs Founder and President Terence Curren explains the basics in a clip that color-corrects itself as you watch. The post Why Do We Need Color Correction? appeared first on Studio Daily.

Modern Video colorist talks color grading ‘Madam

January 8, 2015, 05:44 PM

http://postperspective.com/modern-video-colorist-t...

By Randi Altman Madam Secretary, which is in the middle of its first season on CBS, has been using LA-based Modern Videofilm for post services, specifically conform and color. Barry Goch performs the conform via Autodesk Flame 2015, recreating the creative edit with the highest resolution footage while ensuring the... The post Modern Video colorist talks color grading ‘Madam Secretary’ appeared first on postPerspective - Randi Altman's postPerspective.

Pablo Rio 4K 6K or 8K Workflow

January 7, 2015, 05:10 PM

http://cinescopophilia.com/pablo-rio-4k-6k-or-8k-w...

Quantel’s Pablo Rio is a software high quality color correction and finishing system that runs on high performance PC hardware. The new Pablo Rio 8K has three significant power-ups compared to the systems shipping today:

Color Grading: Using DaVinci Resolve’s Multiple

January 6, 2015, 05:53 PM

http://www.premiumbeat.com/blog/using-resolves-mul...

DaVinci Resolve has a little-known tool known as Split Screen which can be useful at various points in your color grading sessions. The post Color Grading: Using DaVinci Resolve’s Multiple Split Screens appeared first on The Beat: A Blog by PremiumBeat.

Veteran colorist Joe Finley joins Chainsaw from Mo

January 6, 2015, 10:52 AM

http://postperspective.com/veteran-colorist-joe-fi...

With over 20 years of experience in features and episodic television, colorist Joe Finley has joined Chainsaw. He will be working out of a DaVinci Resolve DI theater at the company’s Hollywood facility. Currently working on the fifth season of HBO’s Game of Thrones, show he started working on while at his... The post Veteran colorist Joe Finley joins Chainsaw from Modern appeared first on postPerspective - Randi Altman's postPerspective.

Things Colorists Tweet: Insights from Professional

January 5, 2015, 03:09 PM

http://www.premiumbeat.com/blog/things-colorists-t...

If you're interested in learning more about what it takes to be a colorist, keep an eye on the things colorists' tweet. The post Things Colorists Tweet: Insights from Professional Colorists appeared first on The Beat: A Blog by PremiumBeat.

Colour Warper - Balancing Black and White Levels

December 28, 2014, 02:49 PM

http://area.autodesk.com/blogs/discreetuk/colour-w...

Hi All, I hope that everyone is well and having a Happy Friday!!! As a result of user feedback about last week's video, I have made another colour warper video showing more functionality and workflow. The Colour Warper:Balancing the Black & White Levels  In this video, we use the interactive vectorscope inside the Colour Warper to balance a shot with an incorrect white balance. This is all done in ConnectFX but it can still be copied and applied to mu...

Editing Tools: ColourDirector 3 & AudioDirector 5

December 22, 2014, 02:30 PM

http://provideocoalition.com/jantunes/story/editin...

ColourDirector 3 and AudioDirector 5 are the latest versions of two programs that work together with Cyberlink's PowerDirector. New options and improvements make these versions even more atractive to users looking for accessible options when it comes to control colour and sound.

Edit Studios Selects Mistika for Enhanced Post Pro

December 8, 2014, 10:37 AM

http://www.sgo.es/2014/11/edit-studios-selects-mis...

“Mistika has everything we need in one beautiful box. It is not only the best grading software I have ever encountered, but it is alsoRead more...

Eliminating Banding and Color Shift Issues in Your

December 2, 2014, 03:42 PM

http://provideocoalition.com/news/story/eliminatin...

Compression Preview, announced today by ZERO VFX, is the company's first new software plug-in for the post production marketplace. It enables After Effects artists to preview sequences prior to rendering, check for unwanted artifacts, banding and color shifts and make tweaks and changes to...

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