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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Create LUTs in DaVinci Resolve

September 15, 2014, 04:42 AM

http://wolfcrow.com/blog/how-to-create-luts-with-a...

If you’re not sure what a Look-up Table (LUT) is, start by reading What is a LUT?. In this article, we’ll learn how to create LUTs in DaVinci Resolve. We’ll also see what format to save LUTs in, and where these LUTs are saved on your computer.

Post Production in Lisbon

September 5, 2014, 04:36 AM

http://vanhurkman.com/wordpress/?p=3058

I was fortunate enough to be hired to consult with Jennifer Mendes, the colorist at Lisbon post production facility Loudness Films. Comprised of four principals (Branko Neskov doing sound, Pedro Ribeiro doing editing, Jennifer Mendes doing color, and Nuno Oliveira taking care of the business side of things) this two-story facility has fantastic mixing, recording, and grading rooms designed by Joules Newell (Newell Acoustic Engineering) whom I also happened to meet as he was working on the additi...

Why THAT Color? Why Not? Interview with Aleksandar

September 4, 2014, 09:42 AM

http://www.tomparish.com/2014/09/color-interview-a...

I’m beginning to understand more deeply that COLOR is more than a well-defined, well-behaved set of terms we all share regarding the physical ordering of colors and our assignment of the use of colors in society and culture.

How Color Correction Alters a Film’s Tone

September 2, 2014, 12:36 PM

http://filmmakermagazine.com/87395-watch-how-color...

Color correction is often the least talked about, most overlooked portion of the post-production process. Alex Bickel has spoken out about how grading can alter the presumed production value of a film, and a recent guest post from Michael Medaglia and Jalal Jemison discussed the importance of communicating your story through the process. This video from the International Colorist Academy offers a nice visual supplement to the aforementioned claims, as it demonstrates the colorist’s ability to ...

How to Use the DSC Labs OneShot, X-rite ColorCheck

September 1, 2014, 05:11 AM

http://wolfcrow.com/blog/how-to-use-the-dsc-labs-o...

In this article we’ll learn how to use the DSC Labs OneShot, X-Rite ColorChecker (or Macbeth) or the DataColor SpyderCheckr with Davinci Resolve to match color. If you’re new to Resolve, I recommend you read my DaVinci Crash Course for Beginners before proceeding.

How To Survive Your First Color Grade

August 6, 2014, 09:26 AM

http://filmmakermagazine.com/87033-how-to-survive-...

For any film, color grading is an essential part of the process. For some it’s simply a way to get the shots within a scene to match cohesively, despite adjusted lights or a change of sun position. For others it can help tell the story. Either way, If you’ve never sat in on a coloring session before, the whole thing can seem quite daunting.

3 Color Theory Tips to Inspire Your Digital Design

August 6, 2014, 09:25 AM

http://thenextweb.com/creativity/2014/08/06/3-colo...

This post was originally published on the Shutterstock blog and has been reprinted with permission.

Colorway

August 4, 2014, 09:48 PM

http://splicevine.com/colorway/

MambaFX, Colorway, Stickey Paint, Silhouette, Conform Studio, Inkscape and Plexus If you’re an editor that can do more than just cut, these motion graphics apps may be worth checking out. Some you’ve probably heard of but I’m guessing more than a few, […]

Movies In Color: Guy Ritchie Week Sherlock Holmes

August 3, 2014, 05:19 PM

http://moviesincolor.com/post/93710138108/guy-ritc...

Guy Ritchie Week Sherlock Holmes: A Game of Shadows, 2011

Funkhaus » War in Color

July 29, 2014, 07:05 PM

http://funkhaus.us/8652/war-in-color-2/?utm_source...

Little did we know (until last week) that 4500 full color images were taken of World War I, shot by photographers experimenting with Autochrome Lumiere photography (patented by the famous Lumiere brothers in France). It’s the first major world conflict captured in color, and is preserved in a new book entitled The First World War In Color.

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