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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Use Blend Modes for Over Exposed Video

November 27, 2014, 03:33 PM

http://www.lynda.com/articles/blend-modes-overexpo...

Simply put, they allow you to combine multiple opaque layers and assign each layer a degree of transparency, which results in various types of blending. This lets you composite images, shapes, text, and other elements to build worlds of creativity—and are a common tool in programs like Photoshop and After Effects.

SpeedGrade CC Learning Resources

November 20, 2014, 09:48 PM

http://blogs.adobe.com/movingcolors/2014/11/20/spe...

Here’s a round-up of useful SpeedGrade CC learning resources.   Creative Cloud Learn   Getting started with SpeedGrade CC hands-on tutorial with downloadable assets Presented by Colin Smith How to correct color and create stylized looks with SpeedGrade CC is an excellent free tutorial and includes downloadable files so you can follow the short tutorial videos exactly: a great place to start for the beginner. https://helpx.adobe.com/creative-cloud/learn/start/speedgrade.html?pr...

Quick Chat: FilmLight co-founder Wolfgang Lempp

November 19, 2014, 03:48 PM

http://postperspective.com/quick-chat-filmlight-co...

In what has become a semi-regular column here at postPerspective, we have taken to doing short Q&As with the people behind the products you use. The questions, submitted by pros, are meant to illicit responses that allow users to understand how a company goes about creating, updating and servicing gear for our industry. This time […]The post Quick Chat: FilmLight co-founder Wolfgang Lempp appeared first on postPerspective - Randi Altman's postPerspective.

What needs 16 3G SDI connections?

November 18, 2014, 12:26 PM

http://www.redsharknews.com/post/item/2180-what-ne...

The answer? 8K video at 60p QuantelPabloPablo RioQuantel Pablo Rio8K8K postNvidiaTeslaNvidia TeslaNvidia Tesla K80Tesla K80GPUNvidia GPU

Compare and Contrast: LUT Software That Makes the

November 14, 2014, 05:01 PM

http://www.creativeplanetnetwork.com/news/post/com...

Newer cameras offer the ability to record in log gamma profiles. Those manufactured by Sony, ARRI and Canon have become popular, and with them, so have a new class of color correction filters used by editors. Color lookup tables, known as LUTs, have long been used to convert one color space to another, but they are increasingly being used for creative purposes, including film stock emulation. A number of companies offer inexpensive plug-ins to import and apply common 3D color LUTs within most NL...

New Film Look LUT’s for the PXW-FS7, PMW-F5 and

November 14, 2014, 05:09 AM

http://www.xdcam-user.com/2014/11/new-film-look-lu...

I have created two new sets of film look LUT’s for the FS7, F5 and F55. These LUT’s should be used in conjunction with S-Log3 and SGamut3.cine. They will give you a high contrast film like look that mimics Kodak film stock with slightly blue dark and mid tones and warm skin tones. The are 3D cube LUT’s and the two sets include LUT’s with compensation for under and over exposure.

Color Correcting Video Footage in AE

November 13, 2014, 10:39 AM

http://layersmagazine.com/color-correcting-video-f...

You don’t need to color correct your video footage in another app. Daniel Bryant shows you how to color correct your videos in After Effects using levels, curves, masks, and more. He continues to correct lens distortion, add effects to his videos, and remove noise.

AIA Post & Color changed the landscape with Resolv

November 12, 2014, 05:42 AM

http://www.panoramaaudiovisual.com/2014/11/12/aia-...

DaVinci Resolve allows this Mexican postproduction save time and money and focus on other tasks, a great help when deadlines are very short. Meanwhile, Blackmagic hardware Teranex contributes decisively to terminate any project on time.

Getting to know Resolve Contrast and Pivot Control

November 11, 2014, 01:45 PM

http://www.lynda.com/articles/davinci-resolve-cont...

When it comes to setting contrast in a shot, DaVinci Resolve has a lot of tools you can leverage.

In praise of Retina resolution

November 11, 2014, 10:45 AM

http://www.redsharknews.com/technology/item/2165-i...

More than anything, Apple has been responsible for raising the resolution of our displays, and this is a good thing RetinaRetina ResolutioniPad RetinaiMac RetinaApple

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