It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 18, 2017, 01:42 PM
https://www.premiumbeat.com/blog/affordable-color-...
For most videographers, there's really no need to build out a full color grading suite. Use these color tools instead — and then put them away when you're done!
January 17, 2017, 01:18 PM
https://www.rocketstock.com/blog/crush-the-blacks-...
Depending on who you ask, crushing the blacks in your color grade can be a good or bad stylistic choice. In principle, it is used to make images “pop” more, as the dark parts, which usually retain some elements of light and shading, are “crushed” off the spectrum for complete darkness — thus drawing your eye’s attention to the parts of the image with more information.
January 13, 2017, 10:41 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BURBANK — Colorist Dan Hermelin has joined Roundabout Entertainment (www.rundabout.com), bringing with him more than 20 years of post production experience and a resume that includes work on features, television and restoration projects. The latter includes re-mastering Jerry Maguire, Men in Black and The Deep. At Roundabout, he will service a diverse clientele, including his current project, the animated series T eenage Mutant Ninja Turtles for Nickelodeon.
January 11, 2017, 11:08 AM
http://www.creativebloq.com/features/the-top-colou...
Creative consultancy FranklinTill reveals the hottest colour palettes for the coming year.
January 9, 2017, 07:03 PM
http://postperspective.com/colorist-dan-hermelin-j...
Roundabout Entertainment, which is growing its services for picture finishing and restoration, has hired colorist Dan Hermelin. He comes to Roundabout with more than 20 years of post experience and a resume spanning features, television and restoration projects, the latter including remasters of Jerry Maguire, Men in Black and The Deep. Continue reading → January 9, 2017 The post Colorist Dan Hermelin joins Roundabout Entertainment appeared first on Randi Altman's postPerspective.
December 31, 2016, 02:53 PM
https://www.jimwicks.com/koji-color/
In this fourth post of my ongoing series showcasing LUT packages for the colorist and the editor/colorist I’m going to be looking at Koji Color. Unlike typical online reviews, I’ve chosen to let the LUT creators speak for themselves – in their own words.
December 21, 2016, 01:58 PM
http://postperspective.com/warnerchappell-intros-c...
For those of you working in film and television with a need for production music, Warner/Chappell Production Music has added to its offerings with the Color TV and Elbroar catalogs. Color TV is German composer Curt Cress’ nearly 14,000-track collection from Curt Cress Publishing and its sister company F.A.M.E. Continue reading → December 21, 2016 The post Warner/Chappell intros Color TV, Elbroar music catalogs from Germany appeared first on Randi Altman's postPerspective.
December 20, 2016, 03:56 PM
http://www.provideocoalition.com/what-is-correct-c...
Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts shouldn’t trigger an existential crisis, but you never know… Recently the folks at DSC Labs asked me to test an experimental color chart using a new surface finish. Their simple question: are the colors on the The post What is “Correct” Color? appeared first on ProVideo Coalition.
December 20, 2016, 03:56 PM
http://postperspective.com/the-mills-color-team-ad...
The Mill, known for its work on spots, games and music videos, is broadening its offerings to include creative digital intermediate work for feature-length indie projects. This new initiative is being led by Mill colorist and director of DI, Damien Van Der Cruyssen at The Mill’s New York studio. Continue reading → December 20, 2016 The post The Mill’s color team adds long-form work to offerings appeared first on Randi Altman's postPerspective.
December 20, 2016, 03:43 PM
https://jeffvlog.wordpress.com/2016/12/20/free-3d-...
Overall cool shift, greens getting the most influence. Highlights retain some warmth and skin tones remain mostly neutral. This pack includes versions specifically designed for S-Log1, S-Log2, S-Log3, BMD Film, and CLog. Click here to download.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.