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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

55/55 Exporting Color Lookup Tables in Photoshop C

September 26, 2014, 11:28 AM

http://blogs.adobe.com/jkost/2014/09/5555-exportin...

If you’ve ever created a special style or “look” to apply to your images using multiple layer adjustment and blending options, then the ability to create and export Color Lookup Tables (LUTs) in Photoshop CC could potentially save you a significant amount of time. Although historically Color LUTs have been used primarily by the film industry, I believe that many photographers and designers will find the ability to remap any color in an image to any other color quite powerful. These...

Kendall Eckman from Blackmagic at IBC 2014

September 25, 2014, 07:19 PM

http://www.youtube.com/watch?v=413f1biNTtA&feature...

Kendall Eckman from Blackmagic at IBC 2014 We popped by the Blackmagic booth at IBC 2014 to chat with Kendall Eckman, who filled us in on some news and updates. Blackmagic purchased Eyeon Fusion, a node-based compositing system with... From: postPerspective Views: 0 0 ratings Time: 02:15 More in Film & Animation

Blog: color grading, end to end post, more

September 18, 2014, 07:27 PM

http://postperspective.com/blog-color-grading-end-...

By Chris Ryan We had three meetings today: Filmlight, SGO and Rohde & Schwarz. Here’s the rundown… FilmLight Nice Shoes currently uses FilmLight’s Baselight system for color grading, so we went to their booth first to touch base on new products and to get a feel for where they’re heading in the future. Their big […]The post Blog: color grading, end to end post, more appeared first on postPerspective - Randi Altman's postPerspective.

Monitor Calibration with SpectraCal

September 18, 2014, 04:43 AM

http://training.abelcine.com/event/monitor-calibra...

To truly judge your image on set, in post production, or in any color critical environment it is necessary to have a properly calibrated monitor. This course provides in-depth monitor calibration training using the latest software from SpectraCal. Topics range from basic brightness and contrast adjustments, to building ICC profiles and 3D LUTs. Learn both the theory behind monitor calibration techniques, and how to implement them with SpectraCal’s CalMan software. Attendees will leave with the...

Toggling colour corrections, smooth slow motion an

September 17, 2014, 11:25 AM

http://www.fcp.co/final-cut-pro/tutorials/1501-tog...

This week's Ripple trio of tutorials (or should that be triple Ripple!) will show you a very handy assignable shortcut, how to replace a sign in Motion and the trick to getting silky smooth slow motion in FCPX.

SGO Previews Mistika 8.4 at IBC

September 15, 2014, 02:56 PM

http://www.studiodaily.com/2014/09/sgo-previews-mi...

SGO released v8.2 of its Mistika software in the days leading up to IBC and previewed v8.4 on the show floor, focusing on support for 4K and Ultra HD, high frame rate (HFR) and high dynamic range (HDR). One change … more »

Colorfront Transkoder 2014 Goes 8K

September 15, 2014, 02:56 PM

http://www.studiodaily.com/2014/09/colorfront-tran...

Budapest, Sept 13, 2014 – Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today broke performance barriers with the announcement of Colorfront Transkoder 2014, the automated, standalone system … more »

COLORFRONT TRANSKODER 2014 GOES 8K

September 14, 2014, 06:14 AM

http://news.creativecow.net/story/877204

(Budapest--September 13, 2014) Colorfront, the Academy and Emmy Award-winning developer of high-performance, dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, today broke performance barriers with the announcement of Colorfront Transkoder 2014, the automated, standalone system for high-quality digital file conversion, now featuring ground-breaking real-time 8K and 3D4K capabilities.

What's new in DaVinci Resolve 11.1

September 13, 2014, 08:24 AM

https://www.youtube.com/watch?v=Ur87Z5w1u-k

Media Page Drag and drop of folder from Media Storage to Media Pool bin area preserves hierarchy Additional Media Pool context menu: Reveal in Media Library ...

Don’t Confuse a DIT with a Data Wrangler or Runn

September 9, 2014, 12:55 PM

http://www.xdcam-user.com/2014/09/dont-confuse-a-d...

Bit of a rant here as one of the roles I perform on some shoots is that of DIT or Digital Imaging Technician.

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