It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 30, 2021, 09:04 AM
https://postperspective.com/harbor-beefs-up-color-...
Harbor has added color scientist CJ Julian who comes to the post studio with 15 years of experience in film and TV production. With a background as a lighting technician and cinematographer, Julian transitioned to imaging scientist for Efilm/Deluxe Digital Services. His credits include Looper, Now You See Me and Caesar Chavez. Continue reading → June 29, 2021 The post Harbor Beefs Up Color Team With Color Scientist CJ Julian appeared first on postPerspective.
June 2, 2021, 09:21 AM
https://www.premiumbeat.com/blog/visually-dark-col...
Exploring the cinematography and visual aesthetics of some of the coldest, darkest, bleakest movies ever made.
May 26, 2021, 12:33 PM
https://www.premiumbeat.com/blog/visually-warm-nos...
Check out some of the warmest movies of all time as we explore what makes them so visually bright and alluring.
February 23, 2021, 01:55 PM
http://www.davidbordwell.net/blog/2021/02/21/histo...
Kristin here: To the general film-going public, old films are in black-and-white. They may be vaguely aware that before The Wizard of Oz and Gone with the Wind, color film was invented. The history of film color, however, is vastly more complicated than that. Prof. Barbara Flueckiger, of the University of Zurich, has devoted much […]
January 16, 2021, 04:35 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Senior colorist Alex Berman has joined the team at Goldcrest Post (goldcrestpostny.com). He brings more than 20 years of experience in color grading and credits that span feature films, episodic television, documentaries and commercials.
January 1, 2021, 05:11 PM
https://lappg.com/2020/12/29/meet-colorist-andrea-...
Last year we had the opportunity of having colorist Andrea Chlebak (Mandy, Elysium and Chappie) speak at LAPPG about “Color in Narrative” where she discussed working with directors and finding language about color for collaboration as well as how colors and their opposites affect viewers’ emotions. We were so enthralled with her presentation that we … Meet Colorist Andrea Chlebak Read More »
December 17, 2020, 01:47 PM
https://www.provideocoalition.com/nobe-color-remap...
Every now and then you see a new tool in post-production and you say “wow that is unique.” For me, one of those was the Nobe Color Remap from Time in Pixels. When this tool debuted it was unique in that it used a color display with points on a grid to make color adjustments. [...]Read More...
December 10, 2020, 02:12 PM
https://postperspective.com/colorist-chat-andrea-c...
By Randi Altman Industry veteran Andrea Chlebak has spent her career color grading film and television projects while at a variety of post houses. For the past two years, she was at LA’s Efilm, where she worked on projects such as An American Pickle, Bad Hair, Limetown and A Babysitter’s Guide to Monster Hunting. Continue reading → December 9, 2020 The post Colorist Chat: Andrea Chlebak on An American Pickle, Remote Work, More appeared first on postPerspective.
November 25, 2020, 01:28 PM
https://postperspective.com/colorist-ricky-gausis-...
MPC colorist Ricky Gausis worked with director Jonathan Krisel (Portlandia, Baskets) and DP Carl Herse (Black Monday, Kroll Show) to set the look on the Showtime comedy Moonbase 8, starring Fred Armisen, Tim Heidecker and John C. Reilly. The new six-part A24 comedy series follows three subpar astronauts living at NASA’s Moon Base Simulator with high hopes of being chosen to travel to the moon. Continue reading → November 24, 2020 The post Colorist Ricky Gausis Helps Set Look for Sho...
June 30, 2020, 01:26 PM
https://www.premiumbeat.com/blog/how-to-establish-...
Creative color grading can change the storyline and create a clear visual juxtaposition between good and bad, rich and poor, success and failure.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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