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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Soundtrack: Dune

January 28, 2022, 08:50 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

Denis Villeneuve directed Warner Bros. Pictures and Legendary Pictures’ Dune, the big-screen adaptation of Frank Herbert’s bestselling book. The film tells the story of Paul Atreides, a gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. The sound team that worked on the film recently weighed in on its challenges and highlights, as well as the gear they used to co...

The Essential Game Audio Toolkit Greg Lesters O

January 27, 2022, 09:02 AM

https://www.asoundeffect.com/game-audio-toolkit/

This guide helps you build a strong arsenal of game audio tools - without breaking the bank...

Think you can mix?

January 22, 2022, 10:53 AM

https://digitalfilms.wordpress.com/2022/01/22/thin...

Are you aspiring to be the next Chris Lord-Alge or Glyn Johns? Maybe you just have a rock ‘n roll heart. Or you just want to try your hand at mixing music, but don’t have the material to work with. Whatever your inspiration, Lewitt Audio – the Austrian manufacturer of high-quality studio microphones – has […]

Behind the Title: Periscope Re-Recording Mixer Terry O’Bright

January 21, 2022, 08:42 AM

https://postperspective.com/behind-the-title-peris...

Terry O’Bright is a re-recording sound mixer at Periscope Post & Audio, a post studio with locations in Chicago and Los Angeles. He joined the studio in December of last year after a long tenure at Sony Pictures Audio Post. LA-based O’Bright is a four-time Emmy Award-nominee who works out of one of Periscope’s mix stages, Continue reading → January 19, 2022 The post Behind the Title: Periscope Re-Recording Mixer Terry O’Bright appeared first on postPerspective.

Making Matrix Resurrections Evolved Sound wit

January 20, 2022, 08:45 AM

https://www.asoundeffect.com/matrix-resurrections-...

Sound supervisor Dane A. Davis had the unique opportunity of reworking his sound design on The Matrix for Matrix Resurrections. And sound supervisor Steph Flack, who started with Matrix Reloaded, talks about the evolution of dialogue quality on the film franchise. They also provide in-depth discussions on their approach to the Synthients, Exo-Morpheus, super bullet time, and much more.

SubtitleNext V.5.11: Translate Audio in Real Time, Licensing Options

January 13, 2022, 08:35 AM

https://postperspective.com/subtitlenext-v-5-11-tr...

PBT EU has released a new iteration of its SubtitleNext solution, Version 5.11, which offers subtitling, captioning and localization specialists with an array of updated toolsets. SubtitleNext is designed to make the process easier for filmmakers and broadcasters, offering flexible software that offers a seamless in-house network to share live output across multiple different production teams on a world-wide scale. Continue reading → January 12, 2022 The post SubtitleNext V.5.11: Translate Aud...

PreSonus Eris E3.5 & Sub8 near field audio monitors review

December 24, 2021, 11:47 AM

https://www.redsharknews.com/presonus-eris-e3.5-su...

At just £250 for the monitors and sub can they be any good for serious small recording studio monitoring purposes?

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