It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 9, 2016, 04:48 PM
http://noamkroll.com/how-to-color-grade-a-perfectl...
There’s a big misconception that color grading black and white projects is easier than grading in full color. While in some respects, grading in color does add an additional layer of complexity, achieving a filmic B & W look can be just as complex for different reasons.
August 9, 2016, 05:21 AM
http://www.digimediapros.com/interview-with-terry-...
In this episode, Terry Curren, owner of Alpha Dogs, filmmaker and colorist, gives us a great overview of color correcting, color grading, tips on how to have a good post for color correcting, production tips, plus much more.
August 3, 2016, 09:17 AM
http://www.postmagazine.com/Press-Center/Daily-New...
CYPRESS, CA — Eizo USA (www.eizo.com) recently introduced the ColorEdge CG247X color management monitor - a professional display for post production applications, including editing. The 24.1-inch color management monitor offers 1920-by-1200 native resolution and a wide color gamut that reproduces 98 percent of the DCI-P3 standard used in digital cinema.
July 27, 2016, 04:03 PM
http://www.provideocoalition.com/developing-awaren...
Color awareness came slowly to me, but now I can’t escape it. Read on, and follow me down the rabbit hole. This article started out as an analysis of how different cameras see color, but evolved into something more. First I’m going to talk about color perception and the basics of learning how to see The post Developing An Awareness of Color appeared first on ProVideo Coalition.
July 26, 2016, 04:49 PM
http://cinescopophilia.com/colour-grading-lut-basi...
Casey Faris explains for beginners and novices alike just how to use LUTs in the Resolve 12.5 and Premiere CC 2015 software programmes.
July 22, 2016, 09:12 AM
http://blogs.adobe.com/creativecloud/how-to-using-...
In Premiere Pro CC 2016.3, we added a new HSL Secondary section to the Lumetri Color panel. This provides additional precision color tools to isolate a color/luma key and apply a secondary color correction to it. HSL Secondary is commonly used after the primary color correction, when you need to isolate and adjust a specific color more precisely, especially when the overall Hue Saturation Curves are hitting their limits. Typical scenarios are enhancing a specific color by making it stand ou...
July 13, 2016, 09:16 AM
http://www.premiumbeat.com/blog/the-tangent-ripple...
The Tangent Ripple Color Grading Surface is one of the most anticipated devices of 2016 — and now the user reviews are pouring in. So, what's the word?
July 13, 2016, 05:02 AM
http://lfhd.net/2016/07/12/tangent-ripple-mini-rev...
A mini review for a mini color panel. This is an unsolicited review…Tangent didn’t ask me to do it. I wasn’t supplied with a review unit. I rushed out and pre-ordered it from Flanders Scientific (where I get my broadcast monitors)…and then anxiously awaited it’s arrival for a couple months. It arrived late June in […]
June 29, 2016, 05:47 AM
http://www.redsharknews.com/post/item/3588-first-l...
Here's an early peak at the Tangent Ripple control surface, which offers some of the functionality of the company's more upscale products at a fraction of the price. TangentRippleTangent RippleControl Surfacetrackballsfirst look
June 29, 2016, 05:47 AM
http://www.mentorless.com/2016/06/29/psychology-co...
Color is an endless topic for anything visual, film included. I’ve shared articles about how filmmakers can support their storytelling with color, how colors affect and inspire us, and a series of movies broken down through their color palette.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2025 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.