It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 29, 2014, 12:35 PM
http://nofilmschool.com/2014/03/color-correction-t...
In the process of narrative filmmaking, a talented cinematographer can achieve the desired aesthetic through closely controlling the characteristics of light, color, and composition. In these cases, color correction shouldn’t really be needed (although a creative grade can certainly take the image to another level). In documentary filmmaking, however, where many of the images are captured sporadically as the action unfolds (which can very easily lead to mismatched footage), the process of crea...
March 28, 2014, 03:21 PM
http://moviesincolor.com/post/80990103638/federico...
Federico Fellini Week Roma, 1972
March 27, 2014, 03:32 PM
http://news.creativecow.net/story/874977
(London, United Kingdom--March 27, 2014) Hollywood post-production facility EFILM—a Deluxe Media Creative Services company and a long-time innovator in digital intermediate technology—has added to its toolset by installing a Baselight colour grading suite from FilmLight.
March 26, 2014, 07:17 PM
http://www.studiodaily.com/2014/03/inhabiting-wes-...
Wes Anderson's The Grand Budapest Hotel is a welcome respite after this long winter: the film's eternal spring pinks and yellows explode on the screen like an overstuffed bag of cake icing. Yet inside this treasure box—with the detailed and … more »
March 25, 2014, 10:16 PM
http://www.colorgradingcentral.com/archives/profil...
One of the followers of CGC and old school Timer (no pun intended) Terry Chiappe shares with us his experience of his career as a Color Timer. Don’t know what a Color Timer is? Then this is a good read for you!
March 24, 2014, 09:28 PM
http://www.broadcastbeat.com/index.php/davinci-res...
(Fremont, California–March 24, 2014) Blackmagic Design today announced that DaVinci Resolve 10 was used by freelance colorist Mark Todd Osborne for advanced color on the Hollywood film “Need for Speed.” Osborne worked at LA based production and post company Bandito Brothers’ state of the art facility on the 2K DI color for various screenings and […]
March 20, 2014, 08:54 PM
http://digitalfilms.wordpress.com/2014/03/20/black...
Last NAB, Blackmagic Design caused everyone to perk up when it touted Resolve 10 as an online editor. Once it was released, it became a bit more obvious that Resolve was still primarily a color corrector, but one that also added editing features. This latest update has been out for a number of months (including […]
March 20, 2014, 03:10 PM
http://www.premiumbeat.com/blog/understanding-luts...
Download these free film print emulation LUTS and learn more about how to use them in your video projects.
March 19, 2014, 07:53 AM
http://dvcreators.net/learn-the-basics-of-color-co...
Learn the Basics of Color Correction with a Free Video Tutorial | DVcreators.net
March 14, 2014, 07:44 AM
http://moviesincolor.com/post/79517366629/spike-jo...
Spike Jonze Week Her, 2013
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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