It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 10, 2014, 02:12 PM
http://www.premiumbeat.com/blog/lets-get-quantum-w...
Quantum dot technology is ready to explode...and it's going to forever change the display industry. Here's what you need to know.
June 6, 2014, 12:49 PM
http://www.creativeplanetnetwork.com/dcp/news/davi...
EC3 dailies colorist Adrian DeLude used Blackmagic DaVinci Resolve for near-set dailies grading on the 20th Century Fox feature X-Men: Days of Future Past. EC3, part of Deluxe Entertainment Services Group's near-set dailies offering, harnesses the technology and personnel of post houses EFILM and Company 3 to create custom configured dailies solutions for feature films.
June 4, 2014, 02:14 PM
http://www.studiodaily.com/2014/06/grading-house-o...
Working on a show for Netflix isn't your typical episodic TV job. For one thing, an entire season of TV is released to Netflix viewers all at once, which creates a nontraditional production schedule. For another thing, Netflix is committed … more »
June 4, 2014, 09:48 AM
http://provideocoalition.com/pvcexclusive/story/an...
While Patrick Inhofer is no stranger to ProVideo Coalition, much of his energy and output over the past few years has been on his site, the Tao of Color Grading. His focus there is around color grading & finishing, but he admits that is one part technology, one part art, and ten parts...
May 24, 2014, 10:06 AM
http://digitalfilms.wordpress.com/2014/05/24/speed...
In a previous post, I discussed how to use Final Cut Pro X Color Board presets. For that post, I created a set of presets and made them available as a free download. That remains one of the most viewed blog posts I’ve written and literally thousands of readers have downloaded the presets. In this […]
May 14, 2014, 04:46 PM
http://blog.abelcine.com/2014/05/14/davinci-resolv...
Little by little, update by update, Blackmagic Design has been adding editing features to their popular DaVinci Resolve color grading software. With the newest release, Resolve 11, they’ve fully committed to providing a single platform from which users can color correct, edit, finish, and deliver.
May 14, 2014, 01:09 PM
http://www.productionhub.com/blog/post/why-assimil...
SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, color grading, versioning, compositing, playback, and finishing -- for nearly all digital workflows, including RED, ARRI, Sony F65 and F55, Canon 5D, Phantom, Go Pro and many more.
May 14, 2014, 09:36 AM
http://postperspective.com/postperspective-contest...
Sign up for the postPerspective weekly newsletter between now and June 15 and also enter to win a free copy of Blackmagic’s DaVinci Resolve software. Resolve 11 was introduced at NAB 2014 featuring over 100 new editing and color grading features, including improvements in online editing plus context sensitive trimming, on-set file cloning, photographer-style color […]The post postPerspective contest: win a Blackmagic DaVinci Resolve appeared first on postPerspective - Randi Altman's pos...
May 12, 2014, 02:34 PM
https://www.videoguys.com/Blog/E/Comparing+Color+R...
It’s time to talk about color correctors. In this post, I’ll compare Color, Resolve, SpeedGrade and Symphony. These are the popular desktop color correction systems in use today. Certainly there are other options, like Filmlight’s Baselight Editions plug-in, as well as other NLEs with their own powerful color correction tools, including Autodesk Smoke and Quantel Rio. Some of these fall outside of the budget range of small shops or don’t really provide a correction workflow. For the ...
May 9, 2014, 12:59 AM
http://pospotime.wordpress.com/2014/03/08/back-to-...
Half a year after the first “Maison Quérigut” work, I returned to Le pays du Donezan for a second approach. In the beginning, talking with Gil about this series of videos, we accorded to make them seasonal. But when I saw the result of the first one I realized that the following one should be different. Very different. I soon opted to drive it towards documentary field where I feel confident. I had the need to tell something apart from taking good pictures. I needed to tell a little story.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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