It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 20, 2022, 08:48 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
SAN FRANCISCO — Autodesk (autodesk.com) has acquired Moxion, the New Zealand-based developer of a cloud-based platform for digital dailies. The acquisition of Moxion’s talent and technology will expand Autodesk's own cloud platform for media and entertainment, moving beyond post production into production, and bringing new users to Autodesk while helping better integrate processes across the entire content production chain.
January 20, 2022, 08:47 AM
https://www.premiumbeat.com/blog/mr/shooting-35mm-...
Peek behind the scenes of this beautifully-composed short film, shot on 35mm film, in this candid interview with Liam Higgins.
January 20, 2022, 08:47 AM
https://postperspective.com/virtual-production-glo...
The Virtual Production Glossary has launched today as part of an industry-wide effort to establish common vocabulary across professionals working in virtual production. The database was established through a collaboration between the Visual Effects Society (VES), the American Society of Cinematographers (ASC), and a host of industry experts, Continue reading → January 19, 2022 The post Virtual Production Glossary Launched by Industry Experts appeared first on postPerspective.
January 20, 2022, 08:46 AM
https://postperspective.com/the-end-of-dual-socket...
By Mike McCarthy I have always been a fan of top-end computer systems. Truth be told, the reason I originally got involved with digital video production back in high school was because it was the coolest thing you could do with computers. Multi-processor systems have fascinated me since I ordered a dual-socket Pentium III motherboard from the Tiger Direct catalog in 2000. Continue reading → January 19, 2022 The post The End of Dual Socket Workstations? appeared first on postPerspective.
January 20, 2022, 08:45 AM
https://www.asoundeffect.com/matrix-resurrections-...
Sound supervisor Dane A. Davis had the unique opportunity of reworking his sound design on The Matrix for Matrix Resurrections. And sound supervisor Steph Flack, who started with Matrix Reloaded, talks about the evolution of dialogue quality on the film franchise. They also provide in-depth discussions on their approach to the Synthients, Exo-Morpheus, super bullet time, and much more.
January 20, 2022, 08:44 AM
https://ymcinema.com/2022/01/20/building-your-edit...
Editing and grading in a hotel room might be a tricky task. First, you need a decent space which not every hotel may offer you that. Second, you need to bring your editing and grading tools with you during your travel which can cause a bit of a hassle. However, in some scenarios, it may facilitate your post-production workflow while you travel, and save you time when arriving home. Let’s talk about that.
January 19, 2022, 08:54 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — The Visual Effects Society (VES) has announced the nominees for its 20th Annual VES Awards. The yearly celebration recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games, as well as the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
January 19, 2022, 08:54 AM
https://www.indiewire.com/2022/01/the-conversation...
“The Godfather” of modern sound design Walter Murch looks back at the first film he edited for Coppola and his groundbreaking sound work.
January 19, 2022, 08:54 AM
https://creativevideotips.com/tutorials/export-jpe...
In 15 seconds, learn how to EXPORT a single video frame to a HIGH-RESOLUTION JPEG from DaVinci Resolve. Plus, learn the shortcut to unhide that gallery stills folder to access DPX files natively in Photoshop! So many helpful, quick tips in this weeks' Creative Video Tip.
January 19, 2022, 08:53 AM
https://postperspective.com/editing-netflixs-the-l...
By Randi Altman Maggie Gyllenhaal’s feature film directorial debut, The Lost Daughter, takes viewers on a journey that bridges the present and the past. Set in a European beach town, Olivia Colman plays a middle-aged professor on vacation who becomes obsessed with a group of Americans — in particular, a young mother (Dakota Johnson) and her daughter. Continue reading → January 18, 2022 The post Editing Netflix’s The Lost Daughter: Affonso Gonçalves appeared first on postPerspecti...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.