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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Jiggling Jelly in Maxon Cinema 4D!

September 13, 2018, 05:38 AM

https://library.creativecow.net/bergin_dave/jiggli...

3D and motion graphics artist Dave Bergin of CG Shortcuts shows how to create and animate jiggling jelly in Maxon Cinema 4D using C4D's Jiggle Deformer.

AE & Creative Cloud Next at IBC 2018

September 12, 2018, 09:10 AM

https://www.provideocoalition.com/adobenext2018

At the IBC 2018 conference in Amsterdam, Adobe is unveiling new video features coming to Creative Cloud to speed up production timelines, enable more seamless workflows, and deliver other powerful capabilities to bring creative vision to fruition. The updates include Adobe Sensei AI-powered animation, intelligent audio cleanup tools, selective color grading, advanced data-driven motion graphics templates and end-to-end VR 180 support. These new features will enable filmmakers and video professio...

Reallusion intros three tools for mocap, character

September 11, 2018, 01:50 PM

https://postperspective.com/reallusion-intros-thre...

Reallusion has launched three new motion capture and character-creation products: Character Creator 3, a stand-alone character creation tool; Motion Live, a realtime motion capture solution; and 3D Face Motion Capture with Live Face for iPhone X. With these products Reallusion is offering a total solution to build, morph, animate and gamify 3D characters. Continue reading → September 11, 2018 The post Reallusion intros three tools for mocap, characters appeared first on Randi Altman's p...

Disintegration VFX in AE Tutorial

September 10, 2018, 01:44 PM

https://library.creativecow.net/gleissenberger_tob...

Join VFX guru Tobias Gleissenberger of Surfaced Studio for a classically energetic Adobe After Effects tutorial combining difference mattes, displacement maps, edge glows, and compositing tricks to dissolve (or explode!) one element in your frame while leaving the rest alone.

INFINITY WAR: Russell Earl - VFX Supervisor

September 10, 2018, 01:44 PM

http://www.artofvfx.com/avengers-infinity-war-russ...

In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.

A.I. Gigapixel receives update and new resizing mo

September 9, 2018, 12:09 PM

https://www.provideocoalition.com/a-i-gigapixel-re...

The image resizer A.I. Gigapixel, from Topaz Labs, received a new update, featuring additional options for image enhancement, 3 sets of new Artificial Intelligence models and other features.

VFX that Put a Smile on Your Face

September 7, 2018, 09:14 AM

http://www.cgw.com/Press-Center/Web-Exclusives/201...

Nick Sax (played by Christopher Meloni), an alcoholic ex-cop turned hit man, gets the full Roger Rabbit treatment in the Syfy series Happy! When Nick is revived after being shot and left for dead, he can see a small, blue, cartoon donkey-unicorn named Happy (voiced by Patton Oswalt). The goofy creature is the imaginary friend of Hailey, Nick’s estranged daughter, who has been kidnapped by a deranged man dressed as Santa Claus. Happy “escapes” from captivity to seek Nick’s help in saving ...

Review: Foundry’s Athera cloud platform

September 5, 2018, 02:41 PM

https://postperspective.com/review-foundrys-athera...

By David Cox I’ve been thinking for a while that there are two types of post houses – those that know what cloud technology can do for them, and those whose days are numbered. That isn’t to say that the use of cloud technology is essential to the survival of a post house, Continue reading → September 5, 2018 The post Review: Foundry’s Athera cloud platform appeared first on Randi Altman's postPerspective.

How They Did It: VFX-Augmented Puppetry Animates T

September 5, 2018, 11:11 AM

http://www.studiodaily.com/2018/09/vfx-augmented-p...

Stargate Studios founder Sam Nicholson, ASC, began his career by spearheading a kinetic lighting that brought the starship Enterprise’s warp engines to throbbing life for Star Trek: The Motion Picture. Towards the end of that same troubled shoot, when production was stymied by the lack of an approach to depict the film’s “living machine” antagonist, […] The post How They Did It: VFX-Augmented Puppetry Animates The Happytime Murders appeared first on Studio Daily.

SKY SPORTS "Take your Seat": VFX Breakdown

September 4, 2018, 04:56 AM

http://www.artofvfx.com/sky-sports-take-your-seat-...

Have a look at this VFX Breakdown by The Mill about their work on this SKY SPORTS commercial...

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