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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

DaVinci Resolve 12: Colour Tools for Editors

August 12, 2015, 05:39 AM

http://www.redsharknews.com/post/item/2786-blackma...

Eric Escobar looks at some of the new automatic colour grading tools in Resolve 12 that promise to usher in a whole new world of ‘editor-friendly’ grading...whether editors like it or not. Blackmagic DesignBlackmagic Davinci Resolve

Have a copy of my Resolve 12 Editorial menu/keyboa

August 11, 2015, 09:53 AM

http://www.provideocoalition.com/have-a-copy-of-my...

The much anticipated DaVinci Resolve 12 beta has become available for download and with it a host of new editing features to add on top of its industry leading color grading tools. Resolve made quite the lateral move into editorial features last year but Blackmagic has really upper their game with v.12. Like any editing tool you have to know the keyboard so I took some time to make an editorial keyboard cheatsheet to help learn it. You’re welcome to a copy.

Thinkbox at SIGGRAPH with cloud-enabled pipelines

August 11, 2015, 09:53 AM

http://postperspective.com/thinkbox-siggraph-cloud...

Thinkbox Software is showing off some new features from the upcoming new release of Deadline, a high-volume compute management solution that enables studios to link any combination of local and cloud-based resources into one logical pipeline. Currently entering beta testing, Deadline 8 will introduce on-demand metered licensing to work with both local and cloud-based farms alongside existing permanent and temporary licenses. Deadline 8 also adds a Proxy Server application that allows users ...

Thinkbox previews on-demand, per-minute licensing

August 10, 2015, 07:28 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — At the 2015 SIGGRAPH Conference, Thinkbox Software (www.thinkboxsoftware.com) is showcasing advancements to Deadline, its scalable, high-volume compute management solution. Deadline enables studios to easily link any combination of local and cloud-based resources into one logical pipeline.

Applying 3D LUTs to Rushes in Premiere Pro from Co

August 6, 2015, 11:46 PM

http://cinescopophilia.com/applying-3d-luts-to-rus...

1. Import the media by dragging the FCP 7 xml folder created by CDProResTransfer from the Finder into the Premier Project window. This creates a bin containing the clips, and brings in additional Odyssey metadata for each clip, including the name of the active LUT.

Color Science, Explained (Part 2)

July 30, 2015, 05:14 PM

http://www.provideocoalition.com/color-science-exp...

The transition from film to digital video has created a shift in the filmmaker’s relationship to color.

Kevin Shaw explores 4K and UHD and how they are im

July 30, 2015, 05:14 PM

http://www.bbcstudiosandpostproduction.com/blog/4k...

In a word, no. The terms are commonly used interchangeably but actually mean different things. 4k is a resolution of approximately 4,000 pixels across, and can refer to domestic UHD, DCI in the cinema and the resolution of many camera and scanner sensors. It refers to the size of something in pixels, but does not imply aspect ratio, colour gamut, bit depth, dynamic range, frame rate or the many other things that are needed to describe a standard or delivery specification. Think of 4k as meaning ...

DaVinci Resolve 12 public beta available for downl

July 28, 2015, 08:24 PM

http://www.moviemachine.tv/article/blackmagic-desi...

Blackmagic Design has announced that the public beta of DaVinci Resolve 12, its professional editing and color correction software, is now available for download from the Blackmagic Design website.

Speed Up Your Session With DaVinci Resolve Power G

July 28, 2015, 11:47 AM

http://www.premiumbeat.com/blog/speed-up-your-sess...

Check out seven awesome Power Grades that can help you quickly apply killer looks in DaVinci Resolve. Download them now!

DaVinci Resolve 12 Public Beta Now Available

July 28, 2015, 11:45 AM

http://filmmakermagazine.com/95076-davinci-resolve...

Blackmagic first announced DaVinci Resolve 12 back in April at NAB, but now they have released a public beta and say that the final release will be available in late August. DaVinci Resolve began life — and is widely known — as a color correction tool, but the last two updates have seen significant advances in its editing capabilities, making it a possible competitor to programs like Adobe Premiere and Apple Final Cut. For those on a budget, the free version offers a surprisingly complete fe...

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