It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 13, 2022, 08:37 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Much to the delight of devoted fans, the wonderfully self-absorbed Roy family are back. And what a whirlwind it’s been. For those of us working behind-the-scenes on HBO’s Succession, Season 3 has presented a host of new challenges.
January 13, 2022, 08:35 AM
https://postperspective.com/subtitlenext-v-5-11-tr...
PBT EU has released a new iteration of its SubtitleNext solution, Version 5.11, which offers subtitling, captioning and localization specialists with an array of updated toolsets. SubtitleNext is designed to make the process easier for filmmakers and broadcasters, offering flexible software that offers a seamless in-house network to share live output across multiple different production teams on a world-wide scale. Continue reading → January 12, 2022 The post SubtitleNext V.5.11: Translate Aud...
January 13, 2022, 08:35 AM
https://www.redsharknews.com/passing-uses-43-for-s...
Passing uses vintage anamorphic lenses to frame a 4:3 image. Roland Denning takes a look at the film, and asks why we still strive for that perfect vintage look.
January 13, 2022, 08:34 AM
https://www.artofvfx.com/eternals-daniele-bigi-vfx...
In 2019, Daniele Bigi had explained ILM‘s work on Aladdin. He then worked on Star Wars: The Rise of Skywalker.
January 12, 2022, 08:42 AM
https://postperspective.com/framestores-complex-vf...
January 12, 2022, 08:42 AM
https://postperspective.com/director-sean-baker-on...
By Iain Blair Since making his first film, Four Letter Words, back in 2000, indie writer/director/editor Sean Baker has created a body of work that is provocative, edgy and heartfelt. His last film, The Florida Project, premiered at Cannes in 2017 and went on to earn an Oscar nomination for co-star Willem Dafoe. Continue reading → January 11, 2022 The post Director Sean Baker on Editing Red Rocket, VFX and Post appeared first on postPerspective.
January 12, 2022, 08:41 AM
https://www.provideocoalition.com/how-to-answer-wh...
One question that I saw pop up on a lot of Internet forums and Facebook groups last year (and some already this year) had to do with moving “projects” from one non-linear editing system to another. Usually it was some version of moving Adobe Premiere Pro to Avid Media Composer or vice versa but sometimes [...]Read More... from How to answer when someone asks you to move a project from Avid to Premiere Pro (or vice versa)
January 12, 2022, 08:40 AM
https://www.thewrap.com/dune-editor-joe-walker-bud...
For film editor Joe Walker, one of the oddest parts about making “Dune” came unexpectedly. The film was his fourth with Denis Villeneuve, after “Sicario,” “Arrival” and “Blade Runner 2049,” and he’d spent the first three of those sitting to the left of the director as they edited together. But “Dune” was partly edited during the pandemic, and the two men collaborated from separate locations via video links screens.
January 11, 2022, 08:45 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
Netflix’s The Power of the Dog is a feature about a charismatic rancher, who inspires fear and awe in those around him. When Phil Burbank’s brother brings home a new wife and her son, he torments them until he finds himself exposed to the possibility of love.
January 11, 2022, 08:45 AM
https://postperspective.com/the-den-in-nyc-adds-ed...
Bi-coastal editing house The Den has added editor Tania Mesta to its New York team. Mesta is a story-driven editor known for her narrative work. Born and raised in El Paso, Texas, to Mexican parents, Mesta says the duality that comes from fully embracing both Mexican and American culture has greatly inspired her world view and work. Continue reading → January 10, 2022 The post The Den in NYC Adds Editor Tania Mesta to Team appeared first on postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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