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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Setting up Tangent Element panels in SpeedGrade

January 5, 2014, 06:34 AM

http://blogs.adobe.com/movingcolors/2014/01/04/set...

SpeedGrade CC added support for the popular Tangent Element grading panel series (SpeedGrade already supported the Tangent CP200 grading panel series and the all-in-one Tangent Wave panel). The SpeedGrade color tools and functions are mapped to different controls in the hardware providing a more tactile and immediate grading experience.

London’s The Look adds to color and finishing se

January 3, 2014, 05:28 PM

http://postperspective.com/2014/01/londons-the-loo...

London — Post house The Look has enhanced to its post workflow offerings with a new Quantel Pablo Rio color correction and finishing system. The new Pablo Rio will operate alongside The Look’s two existing Pablo systems and Neo control panel, allowing creative projects to be shared across all three systems for maximum productivity. The Look […]

Color/High Resolution Scanning Arcade Fire’s Fil

December 19, 2013, 05:33 AM

http://news.creativecow.net/story/873772

(December 19, 2013) For Arcade Fire’s new release the Montreal band commissioned "Afterlife," a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The film is a captivating seven-minute plus journey through nightmares, lost lovers, and familial bonds and has been touted by Huffington Post as more captivating than many of this year’s feature films. The dreamy, moody and captivating film was shot on 65mm and 35mm by DP Evan Prosofsky an...

Blackmagic posts 4K production footage in ProRes

December 19, 2013, 05:33 AM

http://www.cinema5d.com/news/?p=22589

Today he posted a link to about 10 GB worth of 4K (UltraHD, 3840 x 2160 pixels) ungraded ProRes clips from their upcoming new 4K Production Camera (the footage was acquired in ProRes, he did not touch RAW footage).

Multimedia Foundations

December 16, 2013, 05:37 AM

http://splicevine.com/multimedia-foundations/

Hand Held Hollywood’s Filmmaking with the iPad & iPhone, 3D CG Color Management Handbook, Multimedia Foundations and iPhone Millionaire: How to Create and Sell Cutting-Edge Video Hand Held Hollywood’s Filmmaking with the iPad & iPhone Expect more video being shot on iPhones in […]

Blackmagic Design publish seven customer profiles

December 9, 2013, 11:26 AM

http://www.fcp.co/final-cut-pro/articles/1293-blac...

Something to do whilst we bite our nails waiting for the FCPX update! Blackmagic Design has published seven customer profile videos of professional colourists who use DaVinci Resolve.

Powercolor Intro's TurboDuo R9 280X

December 5, 2013, 10:50 AM

http://www.legitreviews.com/powercolor-turboduo-r9...

Taipei, Taiwan –Dec. 5th, 2013 – TUL Corporation, a leading manufacturer of AMD graphic cards, today launches another high performance model which belongs to TurboDuo series, the PowerColor TurboDuo R9 280X OC. Featuring the most innovative GCN architecture, the TurboDuo R9 280X OC fully utilizes the AMD Eyefinity technology, and support ultra high resolution gaming, providing unrivaled performance without sacrifice a single detail.

Meet the Colorist/Editor: Tristan Kneschke

December 4, 2013, 10:24 AM

http://postperspective.com/2013/12/meet-the-colori...

NAME: Tristan Kneschke COMPANY: New York City-based Exit Editorial (www.exitedit.com) CAN YOU DESCRIBE YOUR COMPANY? My one-man company provides offline editorial services and specializes in color grading. I have a fully mobile DaVinci Resolve kit that I messenger around town in cases for clients without resources to put together their own system. I set up […]

Red really wants you to want 4K - but they explain

December 3, 2013, 05:36 AM

http://www.redsharknews.com/technology/item/1275-r...

RED, the makers of the beyond-4K cinema cameras, have a vested interest in making you want these higher resolutions. But they do explain it very well RED4KUpscalingInterpolationExtrapolation

Resolve 10 Adds Editing to its Toolset

November 25, 2013, 10:54 AM

http://filmmakermagazine.com/82531-davinci-resolve...

DaVinci Resolve began life as a high-end grading tool found in expensive color suites. Its purchase by Blackmagic hasn’t lessened its sophistication – they’ve continued to expand its tool set – but it has seen the software’s price lowered substantially, a free “lite” version released, and a redesign of its UI that has made it a lot friendlier to new users. Resolve is still a complicated and sophisticated tool, and color grading is a skill that can take a lot of study to master, but...

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