It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 18, 2022, 08:34 AM
https://postperspective.com/spider-man-no-way-home...
By Iain Blair The last time a Spider-Man film got any Oscar love in the visual effects category was in 2004 with Spider-Man 2, but all that has changed with the recent Spider-Man: No Way Home. The Oscar-nominated VFX team on director Jon Watts’ Spider-Man: No Way Home was led by Kelly Port, Continue reading → March 17, 2022 The post Spider-Man: No Way Home‘s Oscar-Nominated VFX Supervisor appeared first on postPerspective.
March 18, 2022, 08:33 AM
https://variety.com/2022/film/news/spider-man-no-w...
“Spider-Man : No Way Home” entangles Peter Parker (Tom Holland) in a “multiverse of madness” that culminates in a climactic battle at night atop the Statue of Liberty where web slingers from past franchises, played by Tobey Maguire and Andrew Garfield, face familiar villainous foes. The friendly neighborhood crime fighters required updated costume designs and an intricate web of visual effects that included the creation of full digital doubles to bring the historic moment to life.
March 18, 2022, 08:33 AM
https://variety.com/2022/film/artists/dune-vfx-sup...
Denis Villenuve’s “Dune” is a visceral epic, propelled by practical and visual effects that shape the destiny of Paul Atreides (Timothée Chalamet) following a vengeful plot that kills his father, Leto (Oscar Isaac), on the spice-producing planet Arrakis.
March 10, 2022, 08:37 AM
https://postperspective.com/industry-vets-open-par...
Pariah, a full-service VFX and post studio, has opened in Santa Monica. Founded by VFX supervisors Patrick Murphy and Glyn Tebbutt and managing director Mark Tobin, Pariah brings together talent with decades of combined experience working at facilities across the globe and creating memorable advertising campaigns. Prior to its official launch, Continue reading → March 9, 2022 The post Industry Vets Open Pariah VFX/Post Studio, Complete Expedia Spot appeared first on postPerspective.
March 10, 2022, 08:36 AM
https://www.cartoonbrew.com/awards/ves-awards-dune...
Winners have been announced for the 20th annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials, and video games. The Visual Effects Society ceremony took place yesterday evening at the Beverly Hilton in Beverly Hills.
March 9, 2022, 08:34 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — After consultation with its members, UK Screen Alliance (www.ukscreenalliance.co.uk) has decided that its COVID-19 guidance for post production & VFX is no longer necessary and has been withdrawn. The guidance went above and beyond the recommendations issued by the UK government.
March 8, 2022, 08:40 AM
https://3dtotal.com/news/general/space-sweepers-vf...
Bottleship go behind the scenes of the VFX for Space Sweepers.
March 8, 2022, 08:39 AM
https://www.artofvfx.com/the-wheel-of-time-oliver-...
Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He’s back to talk about another series and MPC‘s work.
March 8, 2022, 08:39 AM
https://www.artofvfx.com/the-wheel-of-time-oliver-...
Back in 2020, David Sewell explained the work of DNEG on the Cursed series. He’s back to talk about another series and MPC‘s work.
March 8, 2022, 08:38 AM
https://beforesandafters.com/2022/03/08/ive-starte...
It's hosted by Patrick Cozzi (Cesium) and Marc Petit (Epic Games).
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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