To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Exporting H.264 from Davinci Resolve 11
July 10, 2015, 12:14 PM
http://www.provideocoalition.com/exporting-h-264-f...
Color Grading Vs. Color Correction: What's the Dif
July 10, 2015, 12:14 PM
http://www.lynda.com/articles/color-grading-vs-col...
What's the difference between color correction and color grading? The answer has changed among professional colorists in recent years. Find out how.
Colorfront Appoints Bruno Munger to New Business D
July 10, 2015, 04:56 AM
https://news.creativecow.net/story/879307
(Budapest, Hungary--July 8, 2015) Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, has announced the appointment of Bruno Munger as its new director of business development.
Using Match Color Command with Two Photos in Photo
July 5, 2015, 12:42 PM
http://feedproxy.google.com/~r/richardharringtonbl...
If you have an object that appears in two photos, Photoshop makes it easier to use both objects to better match color. In this example, we'll select an object in both images and then apply a color adjustment to make the two areas match.
Color Science, Explained (Part 2)
July 2, 2015, 09:23 AM
http://blogs.adobe.com/movingcolors/2015/07/02/col...
The Importance of Color Science for Video In a previous post, we interviewed Lars Borg, Principal Color Scientist at Adobe, about the intriguing field of color science. In this post, Lars shares a few things that everyone working in video ought to know about color science. We learned from Lars that “color” is actually an interplay of available light, colors, and the context in which we see them – all of which makes color subjective to a lot of different variables. We wanted to...
Color Science, Explained (Part 2)
June 30, 2015, 09:34 AM
http://blogs.adobe.com/premierepro/2015/06/color-s...
In a previous post, we interviewed Lars Borg, Principal Color Scientist at Adobe, about the intriguing field of color science. In this post, Lars shares a few things that everyone working in video ought to know about color science. We learned from Lars that “color” is actually an interplay of available light, colors, and the context in which we see them – all of which makes color subjective to a lot of different variables. We wanted to know, with such a deep topic, what ground rules...
How to Create 3D LUTs to Deliver the Power of your
June 29, 2015, 12:30 PM
https://www.hurlbutvisuals.com/blog/2015/06/how-to...
The most difficult part about creating a 3D LUT is understanding how you want to create the LOOK. The easy part is creating the file. You can create a 3D LUT in DaVinci Resolve in both the Full version and the Lite version, which is free. (With the full version, it is required that you have a USB dongle for the program to work.)
Lumetri plus SpeedGrade Looks
June 28, 2015, 07:43 AM
https://digitalfilms.wordpress.com/2015/06/28/lume...
Last year I created a series of Looks presets that are designed to work with SpeedGrade CC. These use Adobe’s .look format, which is a self-contained container format that includes SpeedGrade color correction layers and built-in effects. Although I specifically designed these for use with SpeedGrade, I received numerous inquiries as to how they could […]
How to Create 3D LUTs to Deliver your Artistic Loo
June 26, 2015, 12:21 PM
https://www.hurlbutvisuals.com/blog/2015/06/how-to...
Creating and baking in a unique LOOK with 3D LUTs. Why, how to use in DaVinci Resolve, and how to install and use LUTs on set.
Color Science, Explained (Part 1)
June 25, 2015, 04:03 PM
http://blogs.adobe.com/premierepro/2015/06/color-s...
The theme of the 2015 release of Creative Cloud pro video tools is “Creativity just got a lot more colorful.” With color being such a hot topic at Adobe and beyond, we interviewed Lars Borg, Adobe’s resident color expert, to tell us more about color science and what filmmakers and video enthusiasts can take away from such a deep field. Stay tuned for Part 2, where we’re share key color science takeaways for working with video. Colors are a lot more than wavelengths on a spec...
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