It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 27, 2018, 09:26 AM
http://www.artofvfx.com/destiny-2-making-of-by-dig...
Want to know how Digic Pictures created the cinematics for DESTINY 2? Check out their making of...
June 21, 2018, 09:02 AM
http://postperspective.com/orville-vfx-supervisor-...
By Barry Goch What do you get when you mix Family Guy and Ted creator Seth McFarland with science fiction? The most dysfunctional spaceship in the galaxy, that’s what. What is the Fox series The Orville? Well, it’s more Galaxy Quest/Space Balls than it is Star Trek/Star Wars. Continue reading → June 21, 2018 The post The Orville VFX supervisor on mixing practical, visual effects appeared first on Randi Altman's postPerspective.
June 18, 2018, 09:14 AM
http://www.artofvfx.com/krypton-vfx-breakdown-by-i...
Important Looking Pirates have just released this VFX Breakdown about their work on KRYPTON...
June 15, 2018, 12:53 PM
http://postperspective.com/luke-scott-to-run-newly...
Filmmaker Ridley Scott has brought together all of his RSA Films-affiliated companies together in a multi-business restructure to form the Ridley Scott Creative Group. The Ridley Scott Creative Group aims to strengthen the network across the related companies to take advantage of emerging opportunities across all entertainment genres as well as their existing work in film, Continue reading → June 15, 2018 The post Luke Scott to run newly created Ridley Scott Creative Group appeared firs...
June 13, 2018, 04:43 PM
http://postperspective.com/mpc-directs-provides-vf...
To launch the new Fiji Sports Cap bottle, Wonderful Agency came up with the concept of a drop of rain from the clouds high above Fiji making its way down through the pristine environment to showcase the source of their water. The story then transitions with the Fiji Water Sports Cap bottle being used by athletes during a tough workout. Continue reading → June 13, 2018 The post MPC directs, provides VFX, color for Fiji’s new sports bottle appeared first on Randi Altman's postPerspective.
June 12, 2018, 04:13 PM
http://postperspective.com/milk-provides-vfx-adrif...
As it celebrates its fifth anniversary, Oscar-, Emmy- and BAFTA-winning VFX studio Milk has taken an additional floor at its London location on Clipstone Street. This visual effects house has worked on projects such as Annihilation, Altered Carbon and Fantastic Beasts and Where to Find Them. Milk’s expansion increases its artist capacity to 250, Continue reading → June 12, 2018 The post Milk provides VFX for Adrift, adds new head of production Kat Mann appeared first on Randi Altman...
May 28, 2018, 09:44 AM
http://www.artofvfx.com/solo-a-star-wars-story-ui-...
Blind LTD have released many pictures featuring their UI work on SOLO – A STAR WARS STORY (click on the picture below to watch them)...
May 24, 2018, 12:19 PM
http://www.postmagazine.com/Press-Center/Daily-New...
FREMONT, CA — Editor Alan Edward Bell recently used Blackmagic Design’s Fusion 9 Studio visual effects and motion graphics software during the editing the 20th Century Fox feature film Red Sparrow. The spy thriller stars Jennifer Lawrence as ballerina Dominika Egorova, who is recruited into Sparrow School, a secret Russian intelligence service. On the search for a mole within the Russian government, Dominika’s first target is an American CIA agent (Joel Edgerton). The film also stars ...
May 22, 2018, 05:52 PM
http://postperspective.com/vfx-vet-andrew-bell-joi...
Long-time VFX executive Andrew Bell has joined LA-based Method Studios as senior EP/VP of its Advertising division. He will report to Method Advertising MD/EVP Stuart Robinson. Bell spent nearly two decades with MPC, first as a producer in London and then spearheading its initial foray into Los Angeles. When they expanded and relocated, Continue reading → May 22, 2018 The post VFX vet Andrew Bell Joins Method Advertising appeared first on Randi Altman's postPerspective.
May 21, 2018, 05:11 AM
http://www.studiodaily.com/2018/05/technical-paper...
Get a glimpse of tomorrow’s CG VFX and animation techniques today with the latest out of SIGGRAPH — the new Technical Papers Preview video issued in advance of SIGGRAPH 2018. The post Technical Papers Preview: SIGGRAPH 2018 appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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