It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 25, 2015, 04:02 PM
http://blogs.adobe.com/conversations/2015/06/talki...
Quick — describe the color of the ocean to someone who’s never seen it. Can you do it? Is it blue? Green? Something in-between? Describing the qualities of light and color can be difficult — even for color professionals — because the way each person experiences light and color is subjective. Or to put it another way: Is the dress blue and black, or white and gold? Wired magazine discusses some of the science of light and color that drove the Great Dress Debate of 2015. This subjec...
June 24, 2015, 11:38 PM
http://blogs.adobe.com/creativecloud/color-science...
The theme of the 2015 release of Creative Cloud pro video tools is “Creativity just got a lot more colorful.” With color being such a hot topic at Adobe and beyond, we interviewed Lars Borg, Adobe’s resident color expert, and asked him to tell us more about color science and (in Part 2) what filmmakers and video enthusiasts can take away from such a deep field. Colors are a lot more than wavelengths on a spectrum. There’s a whole scientific field dedicated to the understanding of c...
June 22, 2015, 10:02 AM
http://www.premiumbeat.com/blog/color-grading-quic...
Keyframing isn’t the most enjoyable part of the coloring process. However, DaVinci has a tool that can make keyframing your footage a lot easier.
June 22, 2015, 10:01 AM
http://www.redsharknews.com/post/item/2672-premier...
Premier has a built-in colour grading tool that's powerful in itself, but even more so because it's right there within the application Adobe CCAdobe CC 2015Adobe Creative CloudAdobe Creative Cloud 2015Creative CloudCreative Cloud 2015CCCC 2015PremierPremier CCPremier Pro CCLumetriLumetri 2015GradingColor GradingColour GradingColour CorrectionColor Correction
June 22, 2015, 10:00 AM
https://www.rocketstock.com/blog/8-methods-for-col...
It’s no secret that After Effects is one of the best animation softwares in the world, but did you know it also has some extremely powerful color grading features built right in? In the following post, we’ll take a look at 8 color grading tutorials that show us how to create cinematic titles in After Effects.
June 21, 2015, 09:45 PM
https://digitalfilms.wordpress.com/2015/06/21/davi...
Blackmagic Design’s DaVinci Resolve is one of the pre-eminent color correction applications – all the more amazing that it’s so accessible to any user. Even the free Lite version does nearly everything you’d want from any color grading software. If you have an understanding of how to use a 3-way color correction filter and you […]
June 18, 2015, 01:00 PM
http://blogs.adobe.com/movingcolors/2015/06/18/201...
The Adobe SpeedGrade CC (2015) update is available as part of your Creative Cloud membership. This update includes a number of new features and enhancements. As described in our NAB Reveal blog post, the focus in this release was on color workflows, including the new Lumetri Color in Adobe Premiere Pro and our new mobile Look capture app, Adobe Hue CC. With SpeedGrade itself, the priorities for this release were on performance and compatibility with the new Lumetri color tools in Premier...
June 15, 2015, 12:42 PM
http://www.premiumbeat.com/blog/tips-for-coloring-...
Interviews are a great place to sharpen color grading skills. Let’s look at some ways we can push and improve upon this common setup in DaVinci Resolve.
June 15, 2015, 12:39 PM
http://www.provideocoalition.com/tricks-for-sony-f...
Sony’s Cine-EI mode is both a blessing and a curse. Here's how to work to its strengths and around its issues using two free software packages…
June 11, 2015, 01:00 PM
http://postperspective.com/mad-max-fury-road-color...
How collaboration between the DP, VFX and color was key to the film’s look. By Randi Altman Warner Bros. Max Max: Fury Road is quite a ride, with intense action from start to finish, a ton of visual effects and some pretty unforgiving and sand-filled locations and weather. While this is a continuation of the Mad Max films of the past, you might notice a very different graphic look, and that was by design. Aussie director George Miller, who helmed the first three Mad Max features — in ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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