It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 4, 2022, 09:28 AM
https://www.studiobinder.com/?p=117848
There is a saying: the best film editing is the editing that nobody notices. Though there are exceptions, this is pretty widely accepted as truth for the most part. So if good editing purposely avoids standing out, how are the nominees and winners of the Best Film Editing Oscar picked out and decided? The editing style of a particular film is at the behest of the story being told and the style of the director telling it. Continue reading Academy Award For Best Film Editing — Top 20 Winners Ran...
January 4, 2022, 09:28 AM
http://www.philiphodgetts.com/2022/01/more-flexibl...
My original plan for this post was to comment on how Disentanglement is the Next Deepfake Revolution using CGI to fill in the “blanks” where data for the target identity is missing, and to point to a DYI guide to Deepfakes. When the site became unavailable when I first wrote this post, I feared it […] The post More Flexible Deepfakes lead to Deeper Problems first appeared on The present and future of post production business and technology.
January 4, 2022, 09:27 AM
https://www.redsharknews.com/a-look-forward-to-202...
It's a new year, again, so what have we to look forward to in the coming year?
January 4, 2022, 09:27 AM
https://www.redsharknews.com/holographic-video-is-...
Light Field Lab's latest demo of apparently real holographic video has got people talking. But is it really a hologram, or merely giving the impression of one? Phil Rhodes dissects the reality.
January 4, 2022, 09:27 AM
https://www.provideocoalition.com/using-ndi-tools-...
It has been estimated that virtual production and remote post production has advanced 5-10 years more than expected due to the pandemic. Many of us around the world continue to work remotely and for some it has become a new way of life. Some people have left the major editing cities like LA or NY [...]Read More... from Using NDI Tools with Premiere Pro for Zoom review meetings
January 4, 2022, 09:27 AM
http://www.philiphodgetts.com/2022/01/the-trouble-...
Although the title is Defining what’s ethical in artificial intelligence needs input from Africans is accurate, the author is more generally raising the issues of poor quality training data sets for Machine Learning leads to bias in the results. The most common type of Machine Learning uses input data called “training sets” to train the […] The post The Trouble with Training Sets for Machine Learning first appeared on The present and future of post production business and technology.
January 4, 2022, 09:27 AM
https://jonnyelwyn.co.uk/film-and-video-editing/cu...
Every editor should read Cut To The Monkey, by Curb Your Enthusiasm and Veep editor, Roger Nygard. Your command of your career and your craft will improve as a result! Here's my in-depth review. The post Cut To The Monkey by Roger Nygard – A Film Editor’s Review first appeared on Jonny Elwyn - Film Editor.
January 4, 2022, 09:26 AM
https://www.btlnews.com/crafts/sound/dune-mangini-...
The latest adaptation of Dune, based on the novel by Frank Herbert, is an epic and immersive sci-fi from the creative mind of director Denis Villeneuve (Blade Runner 1949, Arrival). The film features Timothée Chalamet as Paul Atreides, the son of Duke Leto (Oscar Isaac) and Lady Jessica (Rebecca Ferguson). The Atreides family journeys to the desert world of Arrakis in order to accumulate spice and attempt to form a partnership with the planet’s inhabitants known as the Fremen.
January 4, 2022, 09:25 AM
https://www.cgw.com/Press-Center/News/2022/VIEW-Co...
Talent was in no short supply during the 2021 VIEW Conference. Some work, however, received particular recognition.
January 4, 2022, 09:25 AM
https://www.awn.com/news/post-asylumelement-x-tack...
Dallas based creative content studio Post Asylum/Element X created CG cities both small and large for two recent broadcast promos. AMC Networks in New York tapped PA/EX to create a miniature Christmas village for their IFC holiday promo. Westsider Media called on PA/EX to create some Texas-sized city scenes for the 2022 Fort Worth Stock Show & Rodeo.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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