To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
3D text tips in FCPX and balancing shots in DaVinc
June 10, 2015, 04:15 PM
http://www.fcp.co/final-cut-pro/tutorials/1679-3d-...
Time to catch up with this week's tutorials from Ripple. The first looks at 3D text tips and includes one pretty awesome piece of information you won't want to miss. The second looks at the RGB parade scopes in Resolve.
Resolve Helps Swordfish Mix the Old with the New i
June 10, 2015, 02:51 PM
http://soundandpicture.com/2015/06/davinci-resolve...
As filmmaking continues to advance, it’s important to invest in new technology, but also not to forget the traditional art forms and to continue to create in the original mediums. And often times, mixing the old with the new produces an even greater result. Mauricio Baiocchi, senior creative at San Francisco based motion design studio Swordfish, did just that on “Crickets Would Sing,” a stop motion animated film based on short stories written by Frances Fabri.
Shot Matching in DaVinci Resolve
June 10, 2015, 11:00 AM
http://www.provideocoalition.com/shot-matching-in-...
Colorist Stephen Nakamura on Grading Tomorrowland
June 9, 2015, 12:24 PM
http://www.studiodaily.com/2015/06/colorist-stephe...
Want to see the Dolby Vision HDR format in action? You can check it out at the El Capitan Theatre on Hollywood Boulevard, where Disney's Tomorrowland—the first film graded for Dolby Vision—is enjoying a four-week run. AMC has the system installed … more » The post Colorist Stephen Nakamura on Grading Tomorrowland in HDR appeared first on Studio Daily.
A new technique…
June 9, 2015, 04:51 AM
http://icolorist.com/a-new-technique/
There is something very exciting and motivating about finding a new technique. Sadly the more experienced we become as individuals and as a profession the less those truly inspired moments come. So I am happy to share this new find with you. Maybe I am not actually the first to have discovered it, but that does not diminish the moment for me at all. It is new to me and I have not seen it described elsewhere.
How to approach colour matching with 3D printing
June 9, 2015, 04:48 AM
http://www.creativebloq.com/3d/how-approach-colour...
Tory Bryant had been working at Hasbro painting toys when Laika hired her to hand paint the faces for the stop-frame animated film Coraline (see more on that here).
Magic Bullet and Shooter Suite Maintenance Release
June 7, 2015, 07:15 AM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hi folks – We have a free maintenance update to both Magic Bullet Suite and Shooter Suite. Here’s what the update includes: SHOOTER SUITE: PluralEyes Updated FCPX .xml to 1.5 to fix an issue with FCPX 10.2. Resolves this issue: http://www.redgiant.com/support/faq/product-specific/pluraleyes/444/ MAGIC BULLET SUITE: Magic Bullet Looks Adds support for Retina displays Fixes an issue […] The post Magic Bullet and Shooter Suite Maintenance Release appeared first on Red Giant.
“LUT-able” Teradek and SmallHD Gear Intro
June 5, 2015, 08:27 PM
http://cinescopophilia.com/lut-able-teradek-and-sm...
Shooting in Log? You need LUTs! Michael shows off some easy to use on-set LUT tools, featuring toys from SmallHD and Teradek. Remember to subscribe to get more in-depth reviews of each.
Blockbuster Looks in DaVinci Resolve: Transformers
June 5, 2015, 09:43 AM
http://www.premiumbeat.com/blog/blockbuster-looks-...
The Transformers franchise helped usher in the era of the Teal and Orange color palette. Here's how to achieve Hollywood's go-to look in DaVinci Resolve.
Teradek LUTs on-set color workflow
June 5, 2015, 09:42 AM
http://www.videoguys.com/blog/cool-gadgets/teradek...
The guys at Onyx Cinema just created 2 very informational and entertaining videos explaining the standards of on-set color workflow. They then go on to show how technology is changing the process to become faster and more convenient using LUT integrated products from Teradek, SmallHD, Filmconvert, and Pomfort. Check out the videos below and share Read More The post Teradek LUTs on-set color workflow appeared first on Videoguys Blog.
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