To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
REVIEW: iMac 5K con archivos 4K MXF y MOV
May 11, 2015, 04:56 AM
http://www.finalcutpro.es/2015/05/review-imac-5k-c...
El momento de decidir en que equipo invertir siempre es complicado. El iMac Retina 5K es uno de los modelos de Apple que más interés ha causado últimamente entre los que nos dedicamos al mundo de la posproducción. Con una pantalla realmente espectacular, nos queda la duda de saber como se comportará con los diferentes tipos de archivos.
Behind the Title: Colorist Jim Wicks
May 8, 2015, 01:29 PM
http://postperspective.com/behind-title-colorist-j...
NAME: Jim Wicks CAN YOU DESCRIBE YOUR COMPANY? Color correction and color grading services for motion pictures, television, web. WHAT’S YOUR JOB TITLE? Colorist WHAT DOES THAT ENTAIL? I help filmmakers tell stories by digitally altering colors, hue, luminance and more. WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? My friend, Gray Marshall, calls me the film whisperer. I am a bridge between the director or cinematographer’s vision and what the film wants t...
The State of Freelance Coloring Today
May 7, 2015, 09:34 AM
http://www.premiumbeat.com/blog/the-state-of-freel...
What issues and trends must be faced by professionals working in the ever-evolving field of freelance coloring?
Secondary colour correction in FCPX and animated t
May 6, 2015, 05:15 AM
http://www.fcp.co/final-cut-pro/tutorials/1659-sec...
Two new tutorials from the Ripple barn, secondary colour correction in Final Cut Pro X and how to build animated titles in DaVinci Resolve.
WYSIWYG LUT’s to play with
May 6, 2015, 05:12 AM
http://www.xdcam-user.com/2015/05/wysiwyg-luts-to-...
Here are a couple of high dynamic range WYSIWYG LUTs to play with. These are for the F5/F55/FS7. The camera should be set to SGamut3.cine/S-log3 and the EI should be set to the base EI (2000EI F5/F55 and 1250 EI on the F55).
Color Grading Tips and Cinematic Looks in SpeedGra
May 5, 2015, 10:49 AM
http://www.premiumbeat.com/blog/color-grading-tips...
Capture some great cinematic looks in Adobe SpeedGrade with this helpful handful of color grading tips!
Resolve 11 Used on New Terence Malick Feature
May 5, 2015, 10:46 AM
http://blog.planet5d.com/2015/05/blackmagic-davinc...
Love or hate his poetic, philosophical, often anti-dialog, feature films, however the great American movie director Terrence Malick chooses to make them is a great free lesson to all moviemakers in every genre.
NAB Colorist Mixer 2015
May 4, 2015, 12:17 PM
http://icolorist.com/nab-colorist-mixer-2015-2/
Hosted by the ICA, Mixing Light and the Tao of Color, the Colorist Mixer took place at the Rockhouse Bar in the Venetian.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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