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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Gregory Reese joins a52 Color team

July 18, 2019, 05:50 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Gregory Reese has joined the recently-established, stand-alone grading and finishing studio a52 Color (www.a52.com/color). Reese established a name for himself over the course of eight years as a colorist at The Mill. He has colored a spectrum of commercials for athletic brands, including Nike and Reebok, as well as campaigns for Audi, Apple, CoverGirl, GMC, Progressive and Samsung. 

4 Films Every Colorists Should See from Filmmaker

July 17, 2019, 09:56 AM

http://manhattaneditworkshop.blogspot.com/2019/07/...

 4 FILMS EVERY COLORIST SHOULD SEE (Courtesy of Filmmaker U Blog - go to https://bit.ly/2XUKur4)Mad Max: Fury Road is continuously referred to as a stunningly beautiful film. John Seale, the cinematographer, was nominated for an Oscar and colorists everywhere were looking at Eric Whipp’s work on the film as a triumph for color correction. With so many people looking to Eric’s work as a colorist for inspiration, we decided to ask him what films he feels every colorist must-see.  Aft...

a52 Color adds colorist Gregory Reese

July 16, 2019, 12:26 PM

https://postperspective.com/a52-color-adds-coloris...

Colorist Gregory Reese has joined LA-based grading and finishing studio a52 Color, which is led by executive producer Thatcher Peterson and includes colorists Paul Yacono and Daniel de Vue. Reese comes to a52d Color after eight years at The Mill. While there he colored a spectrum of commercials for athletic brands, Continue reading → July 16, 2019 The post a52 Color adds colorist Gregory Reese appeared first on postPerspective.

Mistika Workflows: Media Management, Transcoding a

June 15, 2019, 11:37 AM

https://www.provideocoalition.com/mistika-workflow...

SGO pre-releases Mistika Workflows, its first dedicated Media Management, Transcoding and Delivery software solution. The open beta phase is open to everyone who wants to test-drive it. Aware that the demand for highly efficient content production is greater than ever before, with new delivery standards becoming a requirement, especially from the increasing number of on-demand... The post Mistika Workflows: Media Management, Transcoding and Delivery in a single app appeared first on ProVide...

Color Chat: Light Iron’s Sean Dunckley

April 17, 2019, 06:23 AM

https://postperspective.com/color-chat-light-irons...

Sean Dunckley joined Light Iron New York’s studio in 2013, where he has worked on episodic television and features films. He finds inspiration in many places, but most recently in the photography of Steven Shore and Greg Stimac. Let’s find out more… NAME: Sean Dunckley COMPANY: LA- and NYC-based Light Iron CAN YOU DESCRIBE YOUR COMPANY? Continue reading → April 16, 2019 The post Color Chat: Light Iron’s Sean Dunckley appeared first on Randi Altman's postPerspective.

Review: Tangent Wave 2: Color Correction Surface

March 8, 2019, 07:21 AM

https://postperspective.com/review-tangent-wave-2-...

By Brady Betzel Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes? Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Continue reading → March 5, 2019 The post Review: Tangent Wave 2: Color Correction Surface appeared first on Randi Altman's postPerspective.

Review: Tanget Wave 2: Color Correction Surface

March 6, 2019, 07:15 AM

https://postperspective.com/review-tanget-wave-2-c...

By Brady Betzel Have you ever become frustrated while color correcting footage after a long edit due to having to learn a whole new set of shortcuts and keystrokes? Whether you’re in Adobe Premiere, Avid Media Composer or Blackmagic Resolve, there are hundreds of shortcuts you can learn to become a highly efficient colorist. Continue reading → March 5, 2019 The post Review: Tanget Wave 2: Color Correction Surface appeared first on Randi Altman's postPerspective.

129 of the Best Free LUTs from Professional Colori

February 11, 2019, 11:44 AM

https://www.shutterstock.com/blog/129-free-cinemat...

Unlike a traditional roundup that just tells you all about finding free stuff, in this one, we’ve filtered dozens of free LUT packs to create a list of our favorites — and packs that we use the most often. (What is a LUT and how do you use one? We’re so glad you asked.)

Color grading The Favourite

January 7, 2019, 06:09 PM

https://postperspective.com/color-grading-the-favo...

Yorgos Lanthimos’s historical comedy, The Favourite, has been getting a lot of awards attention. In fact, it came out on top at this year’s British Independent Film Awards (BIFAs), taking home home no less than 10 awards, including Best British Independent Film, Best Director for Yorgos and Best Screenplay. Five of those awards came in the craft category, Continue reading → January 7, 2019 The post Color grading The Favourite appeared first on Randi Altman's postPerspective.

Behind the Title: DigitalFilm Tree colorist Dan Ju

January 1, 2019, 07:58 AM

https://postperspective.com/behind-the-title-digit...

NAME: Colorist Dan Judy COMPANY: DigitalFilm Tree (DFT) CAN YOU DESCRIBE YOUR COMPANY? DFT provides cloud post services and software that evolve file-based workflows, simplify the creative process, and dramatically reduce production cost. AS A COLORIST, WHAT WOULD SURPRISE PEOPLE THE MOST ABOUT WHAT FALLS UNDER THAT TITLE? Continue reading → December 31, 2018 The post Behind the Title: DigitalFilm Tree colorist Dan Judy appeared first on Randi Altman's postPerspective.

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