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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Using Houdini & Redshift to Dissolve Metal

July 18, 2017, 06:49 AM

http://theangryvideoguy.com/index.php/2017/07/18/t...

In this Houdini tutorial by Tim van Helsdingen, he will take you on an hour and a half journey though the creation of a corrosive liquid acid that can eat away other geometry, metal in the case of this tutorial.

#tutorials#tutorial#houdini#flip fluid#sidefx
How to Fix Cached Preview in AE

July 17, 2017, 09:16 AM

https://www.rocketstock.com/blog/fix-cached-previe...

One of the most stomach-churning error notifications you can get while working in After Effects is the dreaded “After Effects error: Cached preview needs two or more frames to playback.” Goatman Arts notes that if you’re using a third-party plugin like Element 3D or using 3D cameras in your project, expect the workflow for this solution to be a bit more in-depth. These aren’t guaranteed to work every time, but they may help you prevent the error.

Mocha VR: An After Effects user’s review

July 14, 2017, 12:26 PM

http://postperspective.com/mocha-vr-effects-users-...

By Zach Shukan If you’re using Adobe After Effects to do compositing and you’re not using Mocha, then you’re holding yourself back. If you’re using Mettle Skybox, you need to check out Mocha VR, the VR-enhanced edition of Mocha Pro. Mocha Pro, and Mocha VR are all standalone programs where you work entirely within the Mocha environment and then export your tracks, Continue reading → July 14, 2017 The post Mocha VR: An After Effects user’s review appeared first on Randi Altman...

THE ONE: Making of by Macrograph

July 14, 2017, 09:06 AM

http://www.artofvfx.com/the-one-making-of-by-macro...

Here is the making of by Korean studio Macrograph about their VFX work on THE ONE...

Where's the Wonder Woman Effect?

July 14, 2017, 09:06 AM

http://collider.com/wonder-woman-impact-hollywood/

Last year, we heard a bit about “The Deadpool Effect” following the surprise success of the R-rated superhero movie. The film’s success likely made Fox more bullish on the prospects for Logan, and producers started being asked more often if they would pursue R-rated superhero projects now that Deadpool showed you could have a hit superhero movie without a PG-13 rating. There were fresh developments on Lobo, an R-rated “Ultimate Version” of Batman v Superman: Dawn of Justice, and it loo...

Next Limit unveils RealFlow

July 14, 2017, 05:36 AM

http://www.cgchannel.com/2017/07/next-limit-unveil...

Next Limit has announced RealFlow | Cinema 4D 2.0, the latest version of its fluid simulation software for Cinema 4D, adding support for granular, viscous and viscoelastic materials, and interacting fluids.

THE ODYSSEY: Making of by Mikros Image

July 14, 2017, 05:36 AM

http://www.artofvfx.com/the-odyssey-making-of-by-m...

Mikros Image presents their invisible work on THE ODYSSEY...

DEAD MEN TELL NO TALES VFX Interview

July 13, 2017, 09:29 AM

http://www.artofvfx.com/pirates-of-the-caribbean-d...

In 2012, Gary Brozenich explained to us about the work of MPC on WRATH OF THE TITANS. He then took care of the visual effects on THE LONE RANGER, EDGE OF TOMORROW and TERMINATOR GENISYS. Now he is back into the world of PIRATES OF THE CARIBBEAN.

VFX Breakdown - Toyota C-HR - "Thrill of the Next"

July 12, 2017, 10:19 AM

http://theangryvideoguy.com/index.php/2017/07/12/v...

This spot created by Sydney agency BWM Dentsu and VFX house Alt.VFX was made to celebrate the launch of the Toyota C-HR. The futuristic spot shows off the stylish design of the car along with some slick VFX work and lighting.

#vfx breakdown#vfx breakdowns#toyota
ILM Release Open Source Project MaterialX

July 12, 2017, 06:25 AM

https://vfxserbia.com/2017/07/12/lucasfilm-and-ind...

Lucasfilm and Industrial Light & Magic (ILM) announced the inaugural Open Source release of the MaterialX Library for computer graphics. MaterialX is an open standard developed by Lucasfilm’s Advanced Development Group and ILM engineers to facilitate the transfer of rich materials and look-development content between applications and renderers.

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