It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 24, 2015, 09:50 AM
http://www.4kshooters.net/2015/03/20/some-fantasti...
Learning the craft of colour correction is just as any other aspect of filmmaking. The more effort and practice you put in, the more experienced and confident in your skill set you become. With the wide accessibility to such great inexpensive acquisition tools like Blackmagic Design Cinema Cameras (coming with a full free copy DaVinci Resolve) and the plethora of other affordable equipment on the market you really have no excuse not to be getting your feet wet into colour correction straight awa...
March 24, 2015, 05:44 AM
http://blogs.adobe.com/creative/this-weeks-creativ...
March is almost over, but by all means it’s been a very colourful month. We’ve had our fair share of creative challenges around colour: we’ve asked you to explore yellow details in your own house, then moved on to interesting uses of blue in the workplace and just last week we’ve explored how red makes your commute more exciting. Anything is possible when you mix the right mindset with the right tools, such as Adobe Color CC. This week we’re going beyond primary colours: prepare t...
March 23, 2015, 01:46 PM
http://www.redsharknews.com/technology/item/2460-c...
Computer software has been getting colour wrong all the time ColourColorComputer colourComputer color
March 23, 2015, 09:22 AM
http://www.productionhub.com/blog/post/colorist-ta...
Due to its unique competitions and unexpected surprises, “King of the Nerds” is not your typical reality show. But that didn't deter freelance colorist Yoram Tal, better known as just Tal, from jumping aboard to color grade the series, for which he uses DaVinci Resolve.
March 21, 2015, 06:06 AM
https://digitalfilms.wordpress.com/2015/03/21/unde...
How you handle color correction depends on your temperament and level of expertise. Some editors want to stay within the NLE, so that editorial adjustments are easily made after grading. Others prefer the roundtrip to a powerful external application. When Adobe added the Direct Link conduit between Premiere Pro CC and SpeedGrade CC, they gave […]
March 20, 2015, 04:39 PM
http://www.premiumbeat.com/blog/davinci-resolve-ti...
Experienced colorists can pull fast keys to ensure sessions moves at a fast pace. Here are a couple of actionable tips to make sure your keys are effective. The post DaVinci Resolve Tips: Pull Better Keys appeared first on The Beat: A Blog by PremiumBeat.
March 19, 2015, 04:41 AM
http://masteringfilm.com/color-temperatures-white-...
Color Temperature in a Nutshell All light has a color temperature. Color temperature affects what color that light will look like on video. Sunlight, fluorescent lights, and light from incandescent bulbs (a.k.a. tungsten), all appear as different colors on camera, because they all have different color temperatures. White Balance Your camera’s white balance function compensates...
March 13, 2015, 01:06 PM
http://www.premiumbeat.com/blog/instagram-looks-in...
Here's Part 2 of our peek into getting retro-cool Instagram looks in DaVinci Resolve. The post Instagram Looks in DaVinci Resolve: Part 2 appeared first on The Beat: A Blog by PremiumBeat.
March 13, 2015, 10:31 AM
http://www.fubiz.net/2015/03/13/color-palettes-of-...
Le designer et illustrateur Hyo Taek Kim s’est passionné pour les films d’animation du réalisateur japonais Hayao Miyazaki et à l’esthétique de ses couleurs. En hommage à ses films, il a conçu une série de palettes de couleurs The Colors of, à la manière des pantones, sous la forme de bandes horizontales : Princess Mononoke, Totoro, Le Chateau dans le Ciel, et bien d’autres.
March 12, 2015, 04:47 PM
http://bosfcpug.org/davinci-resolve-used-to-grade-...
Blackmagic Design today announced that DaVinci Resolve was used by Modern VideoFilm colorist Bryan McMahan to grade Director Terrence Malick’s new film, 'Knight of Cups.'
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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