To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
The United States vs Billie Holiday VFX Breakdow
December 9, 2021, 09:00 AM
https://www.artofvfx.com/the-united-states-vs-bill...
Let’s discover the seamless work made by the teams of Montreal based studio Alchemy24 on the movie, The United States vs. Billie Holiday...
How does the M1 Max 14 compare to the M1 Max 16
December 9, 2021, 09:00 AM
https://barefeats.com/m1-max-16-vs-14.html
Ghostbusters Afterlife Composer Rob Simonsen On E
December 9, 2021, 09:00 AM
https://www.slashfilm.com/680242/ghostbusters-afte...
Even though "Ghostbusters: Afterlife" has some sizable missteps in its slavish references to the original "Ghostbusters," one of the more praiseworthy elements of reverence and nostalgia comes in the form of Rob Simonsen's score for the sequel. Not only does the soundtrack perfectly utilize the familiar themes from composer Elmer Bernstein's original 1984 score, but it emulates and evolves the music to create a blockbuster score that calls back to the glory days of adventure movies of the 1980s...
MARZ receives millions in funding to scale up VFX business
December 8, 2021, 08:37 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
TORONTO – Monsters Aliens Robots Zombies (MARZ), the technology and visual effects studio, has raised $6.5 million (Canada) in Series A funding. The company will use the injection of capital to grow its core VFX services business and to accelerate the research and development of its AI for VFX technology solutions.
Light Iron strengthens leadership team
December 8, 2021, 08:36 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — Light Iron, a part of Panavision (panavision.com) that provides post production creative services, has bolstered its executive leadership team with recent promotions and hirings aimed at further supporting the company’s commitment to growth and innovation.
Batch Fix Audio Pops - DaVinci Resolve Crossfade Tutorial
December 8, 2021, 08:36 AM
https://creativevideotips.com/tutorials/how-to-bat...
Anytime you cut a clip with audio to trim it, you unintentionally create a pop or click. But thankfully, crossfades will fix this problem, and DaVinci Resolve just recently added THE BEST WAY to add a whole timeline's worth of FADES that I've ever seen in a video editing program. What makes it the best is it can ignore work you’ve already done and only apply fades to cuts that need it!So today, we're doing a quick and deep dive into everything you need to know about adding audio fades to smoo...
Otherworldly Sound Design for Netflix’s Maya and the Three
December 8, 2021, 08:34 AM
https://postperspective.com/otherworldly-sound-des...
By Patrick Birk Director Jorge R. Gutiérrez’s Maya and the Three is an animated Netflix series that tells the story of Maya (Zoe Saldaña), a warrior princess in pre-colonial Mesoamerica. To save her family and humanity, she must fight alongside three legendary warriors to defeat the gods of the underworld. Audio post veteran Scott Gershin led the sound department at The Sound Lab, Continue reading → December 7, 2021 The post Otherworldly Sound Design for Netflix’s Maya and the Three
Behind the Title: Ghost VFX’s Patrick Davenport
December 8, 2021, 08:34 AM
https://postperspective.com/behind-the-title-ghost...
Industry veteran Patrick Davenport is president of Ghost VFX, a global VFX studio creating high-end visual effects for feature films and television. He was recently brought on to help Ghost grow and expand globally using unifying technology and workflows while also adding talent. Let’s find out more from Davenport… What would surprise people the most about what falls under the title of president? Continue reading → December 7, 2021 The post Behind the Title: Ghost VFX’s Patrick Davenport...
Christmas Gifts for Film and Video Editors 2021
December 8, 2021, 08:34 AM
https://jonnyelwyn.co.uk/film-and-video-editing/ch...
Need a gift for the film editor in your life? Check out this list of the best Christmas gifts for post-production professionals in 2021! The post Christmas Gifts for Film and Video Editors 2021 first appeared on Jonny Elwyn - Film Editor.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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