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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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Without transistors the modern world would simply not exist. But how do they work, and how do modern, atomic sized versions compare with the originals?

Useful Tools for Editors: So Long 2021 Edition

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https://www.provideocoalition.com/useful-tools-for...

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Realtime and comp meet How you can use the new U

December 6, 2021, 08:43 AM

https://beforesandafters.com/2021/12/06/real-time-...

With Nuke 13.1, Foundry has made several updates to its flagship compositing software, while also recognizing the growing trend of virtual production and real-time rendering work going on right now in visual effects and animation.

Boris FX Continuum 2022 Introduction to Fluid Dy

December 6, 2021, 08:43 AM

https://3dtotal.com/news/general/boris-fx-continuu...

Boris FX present the new fluid dynamics feature coming to Continuum 2022.

11th ANNUAL LAPPG FOOD DRIVE FOR WESTSIDE FOOD BANK

December 5, 2021, 12:20 PM

https://lappg.com/2021/12/03/11th-annual-lappg-foo...

For LAPPG’s 11th Annual Food Drive we are committed to continuing the outreach we provide each year to those neighbors struggling with food insecurity during the holiday season and beyond through our virtual food drive benefiting the Westside Food Bank. We understand this is a challenging time for many, but if you are able to … 11th ANNUAL LAPPG FOOD DRIVE FOR WESTSIDE FOOD BANK Read More »

Santa’s Cutting Room

December 5, 2021, 12:20 PM

https://digitalfilms.wordpress.com/2021/12/04/sant...

Holiday time is a joyous affair, but it’s also the time of the year when retailers roll out their specials and cyber-deals. In these past almost-two years, many editors have spent a significant time cutting from home. Many have been working with ad hoc set-ups, like spreading a laptop and drives across the dining room […]

MPSE to honor filmmaker Ron Howard

December 4, 2021, 09:35 AM

https://www.postmagazine.com/Press-Center/Daily-Ne...

STUDIO CITY, CA — The Motion Picture Sound Editors (mpse.org) have announced plans to honor Ron Howard with its annual Filmmaker Award. The Academy Award-winning director and producer is responsible for many memorable films of the past four decades, including the Oscar-winning dramas A Beautiful Mind and  Apollo 13, and the hit comedies  Parenthood and  Splash. Howard will be presented with the MPSE Filmmaker Award at the 69th MPSE Golden Reel Awards, set for March 13, 2022 as an interna...

Heres Why Movie Dialogue Has Gotten More Difficul

December 4, 2021, 09:34 AM

https://www.slashfilm.com/673162/heres-why-movie-d...

/Film spoke with several Oscar-winning sound designers, editors, and mixers to learn why it has become tougher to understand what characters are saying.

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