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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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November 18, 2021, 11:15 AM

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The Oristiq

November 18, 2021, 11:12 AM

https://www.theoristiq.com/

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Mark Todd Osborne Added to Colorist Society Board

November 17, 2021, 08:23 AM

https://postperspective.com/mark-todd-osborne-adde...

The Colorist Society (CSI) has named veteran colorist Mark Todd Osborne to its board of directors. Osborne is a Los Angeles-based senior colorist with more than 200 film and television credits. As a board member, he will be involved governing, managing and planning for the organization. He will also act as an ambassador for CSI to other industry organizations and the wider pro community. Continue reading → November 16, 2021 The post Mark Todd Osborne Added to Colorist Society Board appeared fi...

The truth about colour. This is stuff every film-maker should know about.

November 17, 2021, 08:23 AM

https://www.redsharknews.com/studio-broadcast/item...

Replay: Guest author John Clark of Berlin Picture Company explores why there's so little consistency of colour across broadcast platforms and what the industry may need to remedy the problem.

How to Colorize Clones With a Python Effector in C4D

November 16, 2021, 08:08 AM

https://lesterbanks.com/2021/11/how-to-colorize-cl...

Expresso Mechanic TV looks at the color array and how to color clones within a Cloner. A new installment of Python Bytes sees Expresso Mechanic TV showing how to alter the color of clones within a cloner

My Kingdom for Some Color Bars

November 15, 2021, 08:25 AM

https://digitalfilms.wordpress.com/2021/11/13/my-k...

In a former life, video deliverables were on videotape and no one seriously used the internet for any mission-critical media projects. TVs and high-quality video monitors used essentially the same display technology and standards. Every videotape started with SMPTE color bars used as a reference to set up the playback of the tape deck. Monitors […]

Color Grading in Capture One Easy Powerful Fast

November 15, 2021, 08:24 AM

https://fstoppers.com/capture-one/color-grading-ca...

Before getting into the thick of this article, there is an important distinction that needs to be addressed when discussing the coloring of images (and video, for that matter), and that’s between color correction and color grading.

Grading movies: where did it all go wrong?

November 9, 2021, 08:34 AM

https://www.redsharknews.com/production/item/4640-...

Replay: Digital colour grading has been an integral part of the cinema process since “O Brother Where Art Thou?” was released in 2000. Why then are so many modern films so flat?

fylmai AI Color Grading in the Cloud Released

November 9, 2021, 08:32 AM

https://www.cined.com/fylm-ai-ai-color-grading-in-...

Finally out of beta, fylm.ai is a cloud-based color grading platform that uses deep learning algorithms to enhance the look of your footage. Experienced colorists, independent filmmakers, and beginners can quickly and easily design, collaborate, and finish their projects all inside of their browsers. This ACES color-managed system simplifies the process and gives everyone the tools they need to take their work to the next level.

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