It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 20, 2017, 10:14 AM
https://blogs.creativecow.net/blog/14532/after-eff...
COW Blogs : Brinder Singh Gera's Blog : After Effects Tutorials: Moving Dots and Lines
January 19, 2017, 10:26 AM
http://postperspective.com/review-mettle-vr-plug-i...
By Barry Goch I was very frustrated. I took a VR production class, I bought a LG 360 camera, but I felt like I was missing something. Then it dawned on me. I wanted to have control. I started editing 360 videos using the VR video viewing tools in Adobe Premiere Pro, Continue reading → January 18, 2017 The post Review: Mettle VR plug-ins for Adobe Premiere appeared first on Randi Altman's postPerspective.
January 16, 2017, 06:34 AM
http://www.artofvfx.com/nvizible-motion-graphics-r...
Beautiful motion graphics work in this brand new showreel by Nvizible featuring their work on JASON BOURNE, ABSOLUTELY ANYTHING, EDGE OF TOMORROW and more...
January 11, 2017, 05:57 PM
http://www.goldderby.com/article/2017/best-visual-...
The current frontrunner to win the Oscar for Best Visual Effects, “The Jungle Book,” picked up six nominations with the Visual Effects Society (VES) this week, solidifying its place atop our predictions in the category with current 21/10 odds.
January 10, 2017, 05:29 PM
http://www.animationmagazine.net/events/2017-ves-a...
The Visual Effects Society has announced the nominees for its 15th Annual VES Awards, with the winners to be revealed at a ceremony Tuesday, February 7, 2017 at the Beverly Hilton. This year’s VES Awards heralds the organization’s milestone 20th anniversary.
January 10, 2017, 11:14 AM
https://www.fxguide.com/quicktakes/adobes-project-...
At the Max Adobe show last year Adobe announced that it was moving into the 3D space, in a very limited but focused way. Adobe showed publicly for the first time their new 3D Application named Project Felix. The aim of this new string in the Creative suite bow is to allow 2D designers to introduce and light 3D models so that they can be used in presentations, brochures etc. It is not an animation tool, nor is it aimed at recreating a whole scene but it does have at its core a full (but special) ...
January 9, 2017, 07:01 PM
http://www.goldderby.com/article/2017/2017-visual-...
Last year, the Visual Effect Society snubbed the eventual Oscar champ “Ex Machina.” Will the same fate await this year’s Oscar winner for Best Visual Effects on Tuesday (Jan. 10) when the VES reveals its roster of contenders for its 15th annual awards?
January 9, 2017, 10:23 AM
http://www.redsharknews.com/post/item/4261-about-t...
The most recent cinematic foray into the Star Wars universe resurrects Peter Cushing's Tarkin from the original films, but did the computer generated version of the beloved actor span the dreaded Uncanny Valley? By Joe Foster. Star WarsRogue OnePeter CushingCGIVFX
January 6, 2017, 01:17 PM
http://www.studiodaily.com/2017/01/how-rogue-one-c...
ABC's Nightline visits Industrial Light & Magic to get the rundown on how VFX artists recreated 1970s-era Peter Cushing for his supporting role in Star Wars: The Force Awakens. The post How Rogue One Created Princess Leia, Grand Moff Tarkin appeared first on Studio Daily.
January 5, 2017, 04:03 AM
http://www.provideocoalition.com/virtual-reality-d...
Virtual Reality is highly dependent on sound positioning for complete immersion, something that has been missing from some solutions. Dirac Research says it has found the proper way to reproduce sound in a virtual world. In fact, simultaneous visual and aural immersion is the linchpin of a true virtual reality experience— yet, until today, the The post Virtual Reality: Dirac Research crosses the final frontier appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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