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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Apple M1 Max MacBook Pro unboxing & first impressions

November 16, 2021, 08:08 AM

https://www.redsharknews.com/apple-m1-max-macbook-...

The new M1 MacBook Pros have been all over the internet. Here's a personal first impressions perspective of the M1 Max.

How to Colorize Clones With a Python Effector in C4D

November 16, 2021, 08:08 AM

https://lesterbanks.com/2021/11/how-to-colorize-cl...

Expresso Mechanic TV looks at the color array and how to color clones within a Cloner. A new installment of Python Bytes sees Expresso Mechanic TV showing how to alter the color of clones within a cloner

Trio of Industry Vets Open Two NYC Post Houses, Assembly

November 16, 2021, 08:07 AM

https://postperspective.com/trio-of-industry-vets-...

Assembly, a New York-based post studio, has just launched two New York-based post studios featuring a roster of veteran creatives, who will be working across advertising, film and television. Founded by Art Williams, Oliver Hicks and Colin Moneymaker, Assembly’s will offer visual effects, color grading, offline editing and dailies. Assembly is the latest venture of company founder and president Williams, Continue reading → November 15, 2021 The post Trio of Industry Vets Open Two NYC Post Ho...

Digital Storage in Remote Workflows

November 16, 2021, 08:07 AM

https://postperspective.com/digital-storage-in-rem...

By Tom Coughlin Digital storage is a key element in producing film, episodics, commercials and more. Digital storage requirements for video workflows are increasing because of increasing resolution, higher frame rates, higher dynamic range as well as multi-camera projects, including 360-degree video. With the COVID pandemic, large and small video projects had to either pivot to working remotely or postpone those projects. Continue reading → November 15, 2021 The post Digital Storage in Remote ...

Episode 055: Ghostbusters: Afterlife with Dana Glauberman, ACE & Nathan Orloff

November 16, 2021, 08:07 AM

https://cceditors.ca/2021/11/15/episode-055-ghostb...

The post Episode 055: Ghostbusters: Afterlife with Dana Glauberman, ACE & Nathan Orloff appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.

Physical tradeshows might be on shaky ground, but technology isn't

November 16, 2021, 08:07 AM

https://www.redsharknews.com/tradeshows-might-be-o...

The future of tradeshows is in the balance, but it hasn't stopped technology from progressing considerably.

THE 2021 INTERNATIONAL FILM EDITORS FORUM (IFEF)

November 15, 2021, 08:28 AM

https://www.screeneditors.com.au/10681-2/

by Simon Callow-Wright In the early hours of Thursday October 14th I had the pleasure of attending via Zoom the 4th International Film Editors Forum (IFEF). It runs every year as part of the Edimotion Film Festival; Europe’s oldest film festival, which focuses exclusively on the art of editing. I was joined by fellow ASE […]

NewBlue, Inc. Launches Major Upgrade to Broadcast Graphics and Titling Software for Live Streaming Video Productions.

November 15, 2021, 08:27 AM

https://newbluefx.com/blog/newblue-inc-launches-ti...

Titler Live 5 graphics and titling software delivers enhanced usability and new features to the live broadcast market in three specialized editions.     San Diego, CA, November 12, 2021—NewBlue, Inc. launches a significant upgrade to its Titler Live family of on-air graphics software for live video productions: Titler Live Broadcast, Titler Live Sport, and Titler Live Present. Video professionals and producers from a variety of industries, including broadcast, corporate, ed...

Digital Anarchy launches PowerSearch 3.0 for Premiere Pro

November 15, 2021, 08:26 AM

https://www.provideocoalition.com/digital-anarchy-...

The new PowerSearch 3.0 allows editors to use Digital Anarchy’s search engine to find dialog in all footage, sequences, markers, and captions in a Premiere Pro project. Digital Anarchy announced the release of PowerSearch 3.0 for Adobe Premiere Pro, the company’s powerful search engine that integrates within Premiere Pro, enabling editors to quickly scour an [...]Read More...

My Kingdom for Some Color Bars

November 15, 2021, 08:25 AM

https://digitalfilms.wordpress.com/2021/11/13/my-k...

In a former life, video deliverables were on videotape and no one seriously used the internet for any mission-critical media projects. TVs and high-quality video monitors used essentially the same display technology and standards. Every videotape started with SMPTE color bars used as a reference to set up the playback of the tape deck. Monitors […]

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