It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 21, 2018, 08:17 AM
https://postperspective.com/behind-title-digitalfi...
NAME: Rick Dalby COMPANY: DigitalFilm Tree CAN YOU DESCRIBE YOUR COMPANY? I would describe DigitalFilm Tree (DFT) as a smaller, bleeding-edge, independently-owned post house that is capable of remote dailies, color and edit. I work with fellow colorists Dan Judy and Patrick Woodard. Continue reading → July 20, 2018 The post Behind the Title: DigitalFilm Tree colorist Rick Dalby appeared first on Randi Altman's postPerspective.
July 16, 2018, 10:35 AM
https://postperspective.com/behind-title-colorist-...
NAME: David Rivero Martin COMPANY: Freelance colorist based in China. CAN YOU DESCRIBE WHAT YOU DO? I color grade and supervise the finishing of feature films and commercials — normally, all versions and often the trailers associated with them. AS A COLORIST, Continue reading → July 16, 2018 The post Behind the Title: Colorist David Rivero appeared first on Randi Altman's postPerspective.
June 28, 2018, 10:06 AM
https://postperspective.com/quick-chat-bill-ferwer...
The premiere season of the dystopian series The Handmaid’s Tale earned eight Primetime Emmys, two Golden Globes, a Peabody Award and a BAFTA Award. Season 2, which is now streaming on Hulu, expands on Margaret Atwood’s novel of the same name. For the latest season Deluxe Toronto senior colorist Bill Ferwerda reteamed with series DP Colin Watkinson, Continue reading → June 28, 2018 The post Quick Chat: Bill Ferwerda on coloring The Handmaid’s Tale appeared first on Randi Altman's ...
June 7, 2018, 09:37 AM
http://postperspective.com/color-audio-post-hulus-...
Hulu’s limited series, The Looming Tower, explores the rivalries and missed opportunities that beset US law enforcement and intelligence communities in the lead-up to the 9/11 attacks. Based on the Pulitzer Prize-winning book by Lawrence Wright, who also shares credit as executive producer with Dan Futterman and Alex Gibney, the show’s 10 episodes paint an absorbing, Continue reading → June 7, 2018 The post Color and audio post for Hulu’s The Looming Tower appeared first on Randi A...
June 4, 2018, 12:25 PM
https://www.shutterstock.com/blog/pairing-color-ty...
Feeling in a bit of a color rut and want to give an instant update to your typography? Try out these seven tried-and-tested color and type combinations in your next project.
May 9, 2018, 02:16 PM
http://www.digitalrebellion.com/blog/posts/kollabo...
Kollaborate 2.7 is a major update to our cloud workflow platform for sharing files and working more effectively with your team. Upload Workflows We've expanded our Workflows feature to include Upload Workflows. Upload Workflows are a new type of Workflow that allow you to set certain actions to occur when uploading a new file. You can choose whether to convert the file to a playable format, add LUTs and watermarks, and burn in data like timecode or the project name over the frame. This wo...
May 7, 2018, 09:12 AM
https://petapixel.com/2018/05/07/infinite-color-i-...
Working as a retoucher, one of the hardest parts of my job wasn’t even the cleanup work that an image typically requires, it was the color grading. Applying a specific look to an image to really enhance or create a mood that meets the client’s vision was either doable or really hard. There was never a time when it was completely easy, even for me.
April 4, 2018, 05:16 AM
http://www.studiodaily.com/2018/04/adobe-ai-color-...
On the eve of NAB 2018, Adobe released the latest raft of improvements to its Creative Cloud suite of tools, including new features aimed at helping Premiere Pro editors dial in looks more quickly with its built-in Lumetri color cools. Other new features include welcome tweaks to the Essential Graphics panel that should make it easier for both Premiere Pro editors and After Effects artists to use.
March 26, 2018, 11:49 AM
http://postperspective.com/color-plays-key-role-av...
Color itself plays a significant role in the fantasy feature A Wrinkle in Time. To help get the look she wanted, director Ava DuVernay chose Mitch Paulson of Hollywood’s Efilm to handle final color grading — the two worked together on the Oscar-nominated film Selma. Continue reading → March 26, 2018 The post Color plays key role in Ava DuVernay’s A Wrinkle in Time appeared first on Randi Altman's postPerspective.
March 23, 2018, 03:15 AM
http://www.studiodaily.com/2018/03/longtime-mpc-co...
Jean-Clément Soret has been named supervising DI colorist at Technicolor London, adding to his responsibilities as global creative director of color grading at MPC. Soret is perhaps best known for his work in advertising, but his feature-film credits include Steve Jobs, You Were Never Really Here and In the Heart of the Sea. (He may have been the first DI […] The post Longtime MPC Colorist Jean-Clément Soret Expands Role to Technicolor London appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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