It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 7, 2022, 08:50 AM
https://www.awn.com/vfxworld/mpc-film-creates-smor...
Leading visual effects studio designs new ghosts, brings Harold Ramis back as Dr. Egon Spengler, and animates a horde of mini Stay-Puft marshmallows wreaking havoc on a Walmart, in Jason Reitman and Sony’s long awaited ‘Ghostbusters’ sequel.
January 7, 2022, 08:50 AM
https://beforesandafters.com/2022/01/07/the-matrix...
At one point in Lana Wachowski’s The Matrix Resurrections, Morpheus (Yahya Abdul-Mateen II) takes Neo (Keanu Reeves) to an idyllic dojo location to reacquaint him with his kung-fu abilities.
January 6, 2022, 01:07 PM
https://postperspective.com/harbor-la-adds-kelly-m...
Kelly Mackey has joined Harbor Los Angeles as executive producer of VFX and finishing. She previously produced at a variety of New York City-based boutique post houses over the past decade. After launching her career as a producer at Refinery NYC and Poetica, Mackey was hired by BlueRock, where she oversaw automotive accounts including Toyota for Saatchi & Continue reading → January 6, 2022 The post Harbor LA Adds Kelly Mackey as EP of VFX and Finishing appeared first on postPerspective.
January 5, 2022, 08:50 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — MPC Film (mpcfilm.com), which has locations in London, Los Angeles, Bangalore and Montréal, created visual effects for a number of scenes featured in the latest Ghostbusters film. Directed by Jason Reitman and produced by Ivan Reitman, Ghostbusters: Afterlife follows a single mom and her two kids, who arrive in a small town and discover their connection to the original ghostbusters team.
January 5, 2022, 08:47 AM
https://www.artofvfx.com/the-wheel-of-time-julian-...
Back in 2020, Julian Parry explained the creation of the visual effects for the first season of The Witcher. Today he talks to us about a new heroic fantasy universe with The Wheel of Time.
January 4, 2022, 09:28 AM
http://www.philiphodgetts.com/2022/01/more-flexibl...
My original plan for this post was to comment on how Disentanglement is the Next Deepfake Revolution using CGI to fill in the “blanks” where data for the target identity is missing, and to point to a DYI guide to Deepfakes. When the site became unavailable when I first wrote this post, I feared it […] The post More Flexible Deepfakes lead to Deeper Problems first appeared on The present and future of post production business and technology.
January 4, 2022, 09:27 AM
https://www.redsharknews.com/holographic-video-is-...
Light Field Lab's latest demo of apparently real holographic video has got people talking. But is it really a hologram, or merely giving the impression of one? Phil Rhodes dissects the reality.
January 4, 2022, 09:25 AM
https://www.awn.com/news/post-asylumelement-x-tack...
Dallas based creative content studio Post Asylum/Element X created CG cities both small and large for two recent broadcast promos. AMC Networks in New York tapped PA/EX to create a miniature Christmas village for their IFC holiday promo. Westsider Media called on PA/EX to create some Texas-sized city scenes for the 2022 Fort Worth Stock Show & Rodeo.
January 2, 2022, 12:27 PM
https://blog.motionisland.com/quick-tips-switch-ti...
In After Effects you can quickly change from a regular time count to frame count, to swap quickly move your cursor to the preview time area then press and hold CTRL and then Click. Animated demo screenshot below. Looking for another After Effects tips? Please drop a comment in the area below. [...] The post Quick Tips – Switch Time to Frame count in After Effects appeared first on MotionIsland Blog.
January 2, 2022, 12:26 PM
https://www.provideocoalition.com/pvcs-top-article...
As the year winds down we thought we’d take a look back at some of the great content posted this past year by the talented professionals working out in the world and writing for ProVideo Coalition. Top 10 lists are usually based on traffic but those articles posted late in the year haven’t had time [...]Read More... from PVC’s Top Articles and Reviews of 2021
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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