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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Title: TV & Film Editor Nicholas Wong

September 15, 2020, 01:09 PM

https://postperspective.com/behind-the-title-tv-fi...

Nicholas Wong is a film and TV editor, whose credits include Amazon’s The Expanse and Hulu’s Utopia Falls, started making short animated films when he was 10, teaching himself Adobe Premiere and Flash. Let’s find out more. You work in TV and film. Can you describe that process? Continue reading → September 14, 2020 The post Behind the Title: TV & Film Editor Nicholas Wong appeared first on postPerspective.

Premiere Pro Hot Topics: Understanding Source Patc

September 15, 2020, 01:09 PM

https://www.provideocoalition.com/premiere-pro-hot...

Drag and drop is a common way to edit inside of Premiere Pro. It allows you to easily bring clips from your Project Panel or Source Monitor wherever you want in your Premiere Pro Timeline. It’s also very freeing. But if you learned how to do this from YouTube videos or word of mouth, you [...]Read More...

What is Media Management, Anyway?

September 15, 2020, 01:09 PM

https://www.provideocoalition.com/what-is-media-ma...

This week on MacBreak Studio, we are celebrating the release of our new Media Management tutorial, fully updated for the new Final Cut Pro 10.4.9 release, with an episode that discussed media management and FCP X from a high level: differentiating between the location of media files on a drive from the location of assets [...]Read More...

After Effects Classic Course: Stereoscopic 3D Visi

September 15, 2020, 01:09 PM

https://www.provideocoalition.com/after-effects-cl...

“3D” video or film periodically becomes a hot topic…and then fades away. Back in 2011 when it was going through another “hot” phase, Adobe added a number of features to After Effects to try to make it easier to create and preview content intended to be viewed through two-color 3D glasses. In the event you [...]Read More...

An Insider’s Guide to What Makes Good Reality TV

September 13, 2020, 03:18 PM

https://www.premiumbeat.com/blog/insiders-guide-to...

With hours of footage to whittle down identifying conflict and character development, we went to Emmy Award-winning editor Katherine Griffin for insight.

Starting with Adobe After Effects in 2020 — 5 Mu

September 13, 2020, 03:18 PM

https://www.premiumbeat.com/blog/starting-with-aft...

Adobe After Effects is a fantastically versatile piece of software. Let's see what it takes to start with this software in 2020.

IBC Season 2020: Jellyfish Pictures Jeremy Smith

September 13, 2020, 03:18 PM

https://www.youtube.com/watch?v=gDDcAZ8YmuY

#JellyfishPictures #VFX #Animation #IBC2020 UK-based Jellyfish, which provides VFX and animation services, set up for virtual workflows last year when it opened a new studio. This made their transition to remote work during COVID that much easier.

Movie Edit Pro 2021: video editing for users of al

September 13, 2020, 03:16 PM

https://www.provideocoalition.com/movie-edit-pro-2...

Announced as great for social media users, the new Movie Edit Pro 2021, from MAGIX, features intuitive operation and an impressive range of specialist tools. Is this the future of video editing? Video editing apps are getting more sophisticated, and the use of AI promises, as we’ve seen in recently months, to open new horizons, [...]Read More...

FMC Announces the 2020 FCPX Global Virtual Summit

September 12, 2020, 02:00 PM

https://www.fcp.co/final-cut-pro/news/2307-fmc-ann...

These are challenging times, so it comes as no surprise that Future Media Conferences has moved the entire FCPX Creative Summit online this year. The new FCPX Global Virtual Summit will now be online in November.

Soundtheory Gullfoss Intelligent EQ

September 12, 2020, 02:00 PM

https://digitalfilms.wordpress.com/2020/09/11/soun...

There are zillions of audio plug-ins on the market to enhance your DAW or NLE. In most cases, the operation and user interface design is based on familiar physical processing hardware. Often the user interface design is intentionally skeuomorphic as either a direct analog to the physical version or as a prompt to give you […]

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