To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Category: Blog
Colorist Chat: American Horror Story’s Jeremy Sawyer
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By Randi Altman The 10th season of the American Horror Story anthology series is American Horror Story: Double Feature, which premiered on FX in late August. This iteration, as the name suggests, is divided into two parts: Red Tide, which takes place by the water, Continue reading → September 20, 2021 The post Colorist Chat: American Horror Story’s Jeremy Sawyer appeared first on postPerspective.
Here are some essential tips for setting up your grading room
September 19, 2021, 11:10 AM
https://www.redsharknews.com/post-vfx/item/7098-he...
Replay: Setting up a grading room is a bit more involved than installing a desk and a few monitors. To do it effectively requires a bit more thought. Here's some valuable advice from experienced colourist Blake Jones on what you should be doing.
How Denis Villeneuve’s Blade Runner 2049 Perfected the Art of Color Theory
September 17, 2021, 09:05 AM
https://www.premiumbeat.com/blog/symmetry-color-ci...
In this cinematography breakdown we look at how Blade Runner 2049 used color to tell a story through light and sound.
Cinelab London Rebrands to Cinelab Film & Digital
September 16, 2021, 09:03 AM
https://postperspective.com/cinelab-london-rebrand...
London's Company 3 adds color grading talent
September 15, 2021, 09:12 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LONDON — Company 3 (company3.com) has hired colorist Jean-Clément Soret, formerly MPC's global creative director of color grading. He will serve as senior colorist and brings credits in both features and commercial campaigns from a career that spans more than 25 years. A selection of Soret's top credits include HBO's Chernobyl, His Dark Materials (Season 1&2), Trainspotting 2, Slumdog Millionaire and 28 Days Later.
How to Set ACES Renders in After Effects, Nuke and Photoshop
September 14, 2021, 08:59 AM
https://lesterbanks.com/2021/09/how-to-set-aces-re...
Johnny Fehr shows how your 3D ACES renders can look the same in After Effects and Nuke as they did where you made them. While ACES is a new-ish workflow for artists, applications like Adobe
Just how important is monitor calibration?
September 11, 2021, 01:01 PM
https://www.redsharknews.com/just-how-important-is...
Your monitor might be accurate, but you can't calibrate your eyes. We open a pandora's box and ask, how much calibration do you need?
Look Designer 2.4 matches film aesthetics to realtime games engines
September 7, 2021, 08:34 AM
https://www.redsharknews.com/look-designer-2.4-mat...
Color Intelligence’s Look Designer 2 is being deployed on tentpole games titles to amp up the filmic nature of realtime games engine graphics.
REVIEW: Look Designer 2 by ColourLab.ai
September 6, 2021, 11:17 AM
https://www.provideocoalition.com/review-look-desi...
Recently I was given an opportunity to test out the Look Designer plugin from Colourlab.ai in what is now an apparently ongoing series about film emulation (more to come!). Everyone is after the elusive “film look” these days and programs like Look Designer purport to get you there faster and easier than if you were [...]Read More...
Barry Goch Joins ColorTime as Senior Editor
September 2, 2021, 08:47 AM
https://postperspective.com/barry-goch-joins-color...
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