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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Light Iron New York Adds Colorist Sam Daley

March 10, 2021, 02:02 PM

https://postperspective.com/light-iron-new-york-ad...

Light Iron, the post services division of Panavision, has added colorist Sam Daley to its roster. Daley joins the team as a senior colorist and will be based out of the company’s New York facility working on both feature and episodic projects. Daley brings more than 20 years of experience in the New York post community, Continue reading → March 9, 2021 The post Light Iron New York Adds Colorist Sam Daley appeared first on postPerspective.

Working with Colorists: A ProductionHUB Exclusive

March 9, 2021, 01:50 PM

https://www.productionhub.com/blog/post/working-wi...

Recently we had the opportunity to talk at length with Colorist Juan Cabrera, ASC Associate Member. Juan provided some incredibly valuable insights on his journey and on the art of being a colorist for major motion pictures and television. Juan also shed some light on how everyone at all levels of the production workflow can benefit from learning that the journey from beginning to the end really begins in pre production. Very enlightening to say the least. Check it out!

Get your Free Trial of Mistika Boutique

March 9, 2021, 01:50 PM

https://lappg.com/2021/03/01/expand-your-creative-...

EXPAND YOUR CREATIVE CAPABILITIES WITH A FREE TRIAL OF PROFESSIONAL GRADING AND FINISHING TOOLS Will you have some downtime over the holidays? Interested in learning something different and expanding your creativity for the New Year? Now is your chance to take a free test drive of SGO’s full-finishing software-only solution Mistika Boutique with a recently … Get your Free Trial of Mistika Boutique Read More »

Sundance Q&A: Philly D.A. Colorist Natacha Ikoli

March 3, 2021, 01:04 PM

https://postperspective.com/sundance-qa-philly-d-a...

For 30 years, civil rights attorney Larry Krasner called out policies that led Philadelphia to become the major city in America with the most incarcerations. More than 75 times, he sued police officers who perpetuated corruption and brutality. This made him an unlikely candidate for district attorney, but in 2017 he launched an election campaign that promised to reform the system. Continue reading → March 2, 2021 The post Sundance Q&A: Philly D.A. Colorist Natacha Ikoli appeared first on...

From Zebra Lines to False Color: 4 Ways to Monitor

January 28, 2021, 12:46 PM

https://www.premiumbeat.com/blog/monitor-exposure-...

With so many ways to monitor exposure, it can be difficult to know which method is best for you. Let's take a look.

Colorist Chat: Tone And I Music Video Gets Tight T

January 27, 2021, 01:43 PM

https://postperspective.com/tone-and-i-music-video...

By Randi Altman Australian artist Tones And I is back with a follow up to her quirky and catchy global hit, Dance Monkey. Last month, she sang her new song, Fly Away, on Jimmy Kimmel Live! The performance was captured — with a combination of Red Helium, Continue reading → January 25, 2021 The post Colorist Chat: Tone And I Music Video Gets Tight Turnaround for Kimmel appeared first on postPerspective.

Colorist Chat: Okay Studio’s Ruth Wardell

January 13, 2021, 01:49 PM

https://postperspective.com/colorist-chat-okay-stu...

Ruth Wardell is a colorist at East London-based Okay Studio, a post house specializing in offline editing, color and finishing. “We handle a lot of jobs end-to-end, which often makes the process a lot smoother and means, as a creative, I can get involved earlier in a project,” explains Wardell, Continue reading → January 12, 2021 The post Colorist Chat: Okay Studio’s Ruth Wardell appeared first on postPerspective.

Color Grading Netflix’s The Crown

January 13, 2021, 01:47 PM

https://postperspective.com/color-grading-netflixs...

By Randi Altman Since its arrival on Netflix in 2016, The Crown has been an obsession for many on both sides of the pond. Based on real events, the series, which is streaming its fourth season now, offers viewers a glimpse of what the royals might actually be like behind closed doors. Continue reading → January 12, 2021 The post Color Grading Netflix’s The Crown appeared first on postPerspective.

Color Correct, Add Music, and Export Your Video in

January 10, 2021, 03:32 PM

https://www.premiumbeat.com/blog/color-grade-and-e...

In this final episode of the FCPX Essentials Series, we're covering the steps to finalize your edit with color correction, music, and export.

CineMatch from FilmConvert

November 30, 2020, 01:49 PM

https://digitalfilms.wordpress.com/2020/11/29/cine...

One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to be the case in many web, streaming, and non-scripted projects, where budgets and availability often dictate the mix of cameras to be used. I frequently end up with RED, ARRI, Panasonic, Sony, DJI, and GoPro cameras […]

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